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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Nālāyira divya prabandham aura Sūrasāgara meṃ Kr̥shṇa-kathā kā svarūpa

Jamunā, Ke. E., January 1978 (has links)
Originally presented as the author's thesis, Delhi University, 1967. / Added t.p.: Treatment of Krishna katha in Nalayira divya prabandham and Sura sagar. Includes bibliographical references (p. [269]-380).
2

Marāṭhī-Hindī Kr̥shṇakāvya kā tulanātmaka adhyayana ; 11vīṃ se 16vīṃ śatābdī taka

Kelkar, Raghunath Shambhoorao, January 1900 (has links)
Thesis--Panjab University. / Includes bibliographical references (p. [277]-281).
3

Marāṭhī-Hindī Kr̥shṇakāvya kā tulanātmaka adhyayana ; 11vīṃ se 16vīṃ śatābdī taka

Kelkar, Raghunath Shambhoorao, January 1900 (has links)
Thesis--Panjab University. / Includes bibliographical references (p. [277]-281).
4

Rasikarāja and Dīnanātha Brajbhasa poetry and the encounter with Krishna's world = Rasikarāja and Dīnantha : Brajbhasa poëzie en de ontmoeting met Krishna's wereld /

Velde, Paulus Joannes Carolus Lambertus van der January 1900 (has links)
Thesis--Rijksuniversiteit te Utrecht, 1993. / English, with summary in Dutch. Vita. Includes bibliographical references (p.278-297)
5

Uttaramadhyakālīna Kr̥shṇākhyānaka prabandha-kāvya

Jaina, Himmata Siṃha. January 1980 (has links)
Thesis (Ph. D.)--Panjab University. / In Hindi. Includes bibliographical references (p. [369-376]).
6

Krishna in his Myriad Forms: Narration, Translation and Variation in Illustrated Manuscripts of the Latter Half of the Tenth Book of the Bhāgavata Purāṇa

Poddar, Neeraja January 2014 (has links)
This dissertation focuses on a seventeenth-century (so-called) Malwa manuscript that illustrates the story of Krishna, and the copy manuscripts that were produced after it. It explores how the story is transformed in its incarnations as the vernacular text inscribed on the manuscript, the cycle of illustrations depicting that text, and then the copies made from what appear to be the initial illustrations. The claim is that narrative variations which find their way into these different embodiments should almost never be considered "mistakes," even when an act of misunderstanding seems to be clearly implied. Rather they are moments when the artist's or author's engagement with contemporary sectarian concerns, literary trends, artistic strategies and popular culture is manifest. The first three chapters of the dissertation are devoted to an analysis of text, illustration and copy illustration respectively, while the fourth presents the broader context in which such Krishna manuscripts were circulating.The underlying objective is to re-evaluate the conventional narrative of North Indian illustrated manuscripts. This is cast as the teleology of court styles where political history is used to decide important and influential ateliers. Visually compelling and historically important illustrated manuscripts such as the ones I study, but whose patronizing court is undecided, are largely ignored. This dissertation showcases an alternative, interdisciplinary approach that undertakes thorough visual and textual analyses alongside an examination of the broader socio-religious trends that impacted artistic production. It advocates that every illustrated manuscript should be studied individually, rather than as just a member of a predetermined stylistic group.

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