In designing an Audubon Society Building, I sought to explore procession and its properties in relation to architecture. A structure of hint, pause, and reveal is set up as a shared condition to control movement. This anticipation, movement through, and discovery of space contributes spatial drama to the procession. In addition to the drama created, a continuous dialogue with man is opened up by giving meaning and depth to each space. Their focus on the context of the natural surroundings, as a critical element in the procession, reinforces the educational purpose of the building by bringing man closer to nature. Together, the establishment of these complex moments and the architectural choreography comprise the dual components of architectural procession. / Master of Architecture