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An urban waterfront room in Georgetown: an architecture schoolComella, Lawrence January 1995 (has links)
Proportions
Dangerous liaisons
Ultimately this project was approached
As a kind of architectural choreography.
As in all choreography motion plays a
Major role. The motion of the participants
Through the spaces, and the placement of
The pieces in relation to each other. On a
Smaller scale a choreography of duality.
Mute, mute, light
Enclosed space, enclosed space, volume
Horizontal and vertical
This project being a vehicle for discovery
Various amounts of play and exploration
Are allowed within this choreography.
The amount of play allowed is both the strength and weakness of this project.
With something of this range and scope there are:
Direct hits,
Near hits,
Near misses,
Direct misses,
All within the whole.
Finally as with anything that is thoroughly
Done it is fuel for beginning and not an end
In and of itself. / Master of Architecture
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