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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

A general introduction to Charles Lamb Together with a special study of his relation to Robert Burton, the author of the "Anatomy of melancholy" ...

Lake, Bernard, January 1903 (has links)
Inaug.-diss.--Leipzig. / Vita.
2

Der Humor bei Charles Lamb

Müller, Hugo Johannes, January 1933 (has links)
Diss.--Hamburg. / Vita. Bibliography: p. 5-6.
3

The relationship between speech power and personality a case study of Lamb and Dickens.

Becker, Rebecca. January 1933 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1933. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 60-61).
4

Charles und Mary Lambs "Tales from Shakespeare" /

Christofor-Ganev, Yvonne, January 1995 (has links)
Texte remanié de: Diss.--Bochum--Ruhr-Universität, 1995. / Bibliogr. p. 213-227.
5

The English familiar essay in the early nineteenth century the elements, old and new, which went into its making, as exemplified in the writings of Hunt, Hazlitt, and Lamb

Law, Marie Hamilton, January 1934 (has links)
Thesis (Ph. D.)--University of Pennsylvania, 1932. / Bibliography: p. 233-238.
6

Die zeitgenossen und unmittelbaren nachfolger Shakespeares in der Englischen kritik des neunzehnten Jahrhunderts ...

Stolle, Erich, January 1938 (has links)
Inaug.-Diss.--Hamburg. / Lebenslauf. "Literaturverzeichnis: " p. 55-57.
7

A Challenge to Charles Lamb's "On the Tragedies of Shakespeare"

Walworth, Alan M. (Alan Marshall) 12 1900 (has links)
This study challenges Charles Lamb's 1811 essay "On the Tragedies of Shakespeare, Considered with Reference to their Fitness for Stage Representation," which argues that Shakespeare's plays are better suited for reading than stage production. Each of the four chapters considers a specific argument Lamb raises against the theatre and the particular Shakespearean tragedy used to illustrate his point. The Hamlet chapter examines the supposed concessions involved in the actor/audience relationship. The Macbeth chapter challenges Lamb's Platonic view of Shakespearean characterization. The Othello chapter considers whether some characters and images, while acceptable to the reader's imagination, are improper on stage. Finally, the King Lear chapter considers the portrayal of the mind in the theatre, employing semiotic principles to examine the actor's expressive resources.

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