This thesis explores how the ancient Near Eastern Book of Lamentations can be read and interpreted cross-culturally today, so that the reader stays with the structure of the text but also listens to the spontaneity of cries from a bereft and humiliated people as they grapple with grief. The first part sets the scene and develops a hermeneutical model: a double-stranded helix, which demonstrates the tensions between the textual form and psychological content of Lamentations 1-5. The two strands are connected by three cross-strands, which representat frameworks, cries and metaphorical images introduced by the opening stanza of each lyric. In the second part, the model becomes the basis for an examination of the frameworks of the Lamentation lyrics and of psychological grief, which together demonstrate how regular patterns are difficult to maintain without interuuption, so an analysis of the translation of cries of lament shows how strong feeling of emotion become audible or are silenced as they break through the containment of traditional borders and structures. In the third part motifs already introduced by the forms of frameworks and the sounds of cries are developed further, through metaphotical imagery. Through this fresh approach each poem becomes a new venture by means of stance, voice, and dynamic movement, as communities of men, women and children develop coping strategies for feelings of grief.