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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Probleme der Raumgestaltung in der Landschagrsdarstellung der deutschen Tafel malerei vor Dürer ...

Grund, Barbara. January 1934 (has links)
Inaug.--diss.--Breslau. / Lebenslauf. "Literaturverzeichnis": p. [111]-113.
2

A landscape painting

McPherson, Cherry Lee Konersman, 1924- January 1953 (has links)
No description available.
3

The two dimensional treatment of an original problem in landscape painting

Stanley, William Clinton, 1927- January 1957 (has links)
No description available.
4

Probleme der Raumgestaltung in der Landschagrsdarstellung der deutschen Tafel malerei vor Dürer ...

Grund, Barbara. January 1934 (has links)
Inaug.--diss.--Breslau. / Lebenslauf. "Literaturverzeichnis": p. [111]-113.
5

Figurenbild und landschaft beiträge zur vorgeschichte der landschaftsmalerei ...

Schaller, Hans Otto. January 1900 (has links)
Inaug.-diss.--Bern. / Bibliography: p. vi.
6

A series of landscape studies in oil painting and other media exploring and interpreting natural landscape elelments with emphasis on the relationship between plastic space and visual space

Olson, Eugene Neal 01 August 1966 (has links)
In working with paintings dealing with the interpretation of landscape in oil paint and mixed media during the past year, I have seen new possibilities. This is true both of my approach to landscape painting and of the handling of the painting materials. These studies have led me to a freer handling of paint. In addition, they have led me to be able to make a more universal statement concerning landscape itself rather than only a visual representation of one particular landscape. The first indication that a universal statement about landscape could be achieved became apparent to me while I was working with mixed media. The natural action of one medium upon the other very often suggests landscape forms which the artist can clarify into a statement about landscape. Using the paint itself to develop a motif enables one to deal more directly with ideas about landscape, concepts of color, and spatial perspective than with the illusion of a particular place. It is such experimentation as this that led me toward what I believe to be a universal statement about landscape. Another discovery I made in doing the series was that oil paint could be handled in much the same manner as mixed media. However, it is the action of one oil color upon another while in a liquid state that becomes the means of suggesting forms. It is the rhythmic movement of these forms and colors that reflects the constant changing and movement of nature. To me this is the essence of the natural landscape and that which brings life to it. In this series of paintings the subjective analysis of nature inevitably dropped the objective details of the real landscape. One’s attention begins to be centered on the effects of the total landscape – effects of color changes, rhythm and movement, form relationships, spatial relationships, and atmospheric effects, events that are to be found in nature itself. My major consideration in doing this series of paintings was that of color in which I had to decide which colors would best suit the total impression I sought and express plastic space as well. A major discovery for me was that of the difference between wash painting and brush painting. In brush painting ideas are somewhat changed as work progresses, but, generally, each brush stroke and each color is calculated from the beginning to produce a desired effect. In wash painting much of the work on the canvas is the result of searching by the artist in the work itself as the paint develops natural forms on the canvas. It is at this point that he takes over with the brush and fully capitalized on the developing forms. I believe that color plays a major role in involving the viewer emotionally and intellectually in a painting. It seems to me that part of the role of the artist is to deliver messages that can invite others, in some way, to share his feeling about the nature of things. For this reason he must seek a statement that will have a universal expression so that he may communicate with others. This I have tried to do.
7

The unfolding of geologic space /

Brown, Anne L. January 1989 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 1989. / Typescript. Includes bibliographical references (leaf 31).
8

Holland und die Landschaft inaugural-dissertation zur Erlangung der Doctorwürde von der philosophischen Facultät der königl. Friedrich-Wilhelms-Universität zu Berlin, genehmigt und nebst den beigefügten Theses am 17. Januar 1903 /

Jongh, Johanna de, January 1900 (has links)
Inaugural-dissertation--Berlin, 1903. / "Mit Genehmigung der hohen philosophischen Fakultät erscheint hier nur ein Teil der eingereichten Arbeit."--T.p. verso.
9

The transformation of French landscape painting from Valenciennes to Corot, 1787 to 1827 / Carol Rose Wenzel.

Wenzel, Carol Rose. January 1900 (has links)
Thesis (Ph. D.)--University of Pennsylvania, 1979. / Includes vita. Includes bibliographical references (leaves 383-389).
10

Landscapes of the imagination in renaissance Venice

Lynn-Davis, Barbara, January 1998 (has links)
Thesis (Ph. D.)--Princeton University, 1998. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 306-311).

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