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Jiehua of the Qing Dynasty (1644-1911) /Chung, Miu-fun, Anita. January 1999 (has links)
Thesis (Ph. D.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves [253]-259).
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Guo hua shan shui cun fa zhi yan jiuLiu, Pingheng. January 1900 (has links)
Thesis (M.A.)? -- Zhongguo wen hua xue yuan. / Cover title. Reproduced from typescript. Includes bibliographical references (p. 93-98).
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The landscape art of Lu Chih (1496-1576)Yuhas, Louise Ripple. January 1979 (has links)
Thesis (Ph. D.)--University of Michigan, 1979. / Each Chinese entry in the bibliography is in characters and is transliterated. Includes catalogs of works. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 282-308).
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Atmosphäre in früher chinesischer Landschaftsmalerei versuch einer Deutung /Ebersold, Marianne Änne Erika, January 1979 (has links)
Thesis--Bonn. / Vita. Includes bibliographical references (p. 311-339) and index.
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Wang Yüan-chʻi (1642-1715) and formal construction in Chinese landscape paintingPang, Mae Anna. Wang, Yuanqi, January 1976 (has links)
Thesis (Ph. D.)--University of California, Berkeley. 1976. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 207-223).
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Eremitism in landscape paintings by Chʻien Hsüan (ca. 1235-before 1307)Shih, Shou-chʻien. Chʻien, Hsüan, January 1984 (has links)
Thesis (Ph. D.)--Princeton University, 1984. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 303-320).
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傳統的復興: 吳湖帆(1894-1968)山水畫研究. / 吳湖帆1894-1968山水畫研究 / Revival of the great tradition: a study of Wu Hufan's (1894-1968) landscape painting / Chuan tong de fu xing: Wu Hufan (1894-1968) shan shui hua yan jiu. / Wu Hufan 1894-1968 shan shui hua yan jiuJanuary 2002 (has links)
陳蓓. / "2002年12月". / 論文(哲學碩士)--香港中文大學, 2002. / 參考文獻 (leaves 256-273). / 附中英文摘要. / "2002 nian 12 yue". / Chen Bei. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002. / Can kao wen xian (leaves 256-273). / Fu Zhong Ying wen zhai yao. / 論文提要 --- p.i / 圖版目錄 --- p.vii / 緒論 --- p.1 / Chapter 第一章 --- 生平及藝術活動 --- p.8 / Chapter 第一節 --- 蘇州時期(1894-1924) --- p.8 / Chapter 一、 --- 家學淵源 --- p.8 / Chapter 二、 --- 從私塾到學堂 --- p.12 / Chapter 三、 --- 望族結合 --- p.14 / Chapter 第二節 --- 藝壇地位的確立(1924-1949) --- p.15 / Chapter 一、 --- 藝術活動與交遊 --- p.16 / Chapter 二、 --- 收藏與鑑定 --- p.21 / Chapter 三、 --- 藝術教育 --- p.24 / Chapter 第三節 --- 藝壇地位的下沉(1949-1968 ) --- p.28 / Chapter 一、 --- 文藝方針 --- p.28 / Chapter 二、 --- 藝術活動 --- p.33 / Chapter 三、 --- 政治運動 --- p.38 / Chapter 第二章 --- 藝術歷程´ؤ´ؤ山水畫分期 --- p.54 / Chapter 第一期 --- 兼收並蓄(一九一零年代至二十年代中期) --- p.55 / Chapter 一、 --- 清末民初藝術潮流 --- p.55 / Chapter 二、 --- 師承江南山水畫傳統 --- p.58 / Chapter 第二期 --- 追綜正統(二十年代中期至三十年代中期) --- p.60 / Chapter 一、 --- 追宗董其昌 --- p.62 / Chapter 二、 --- 上溯元四家 --- p.63 / Chapter 第三期 --- 南北融合(三十年代中期至五十年代) --- p.65 / Chapter 一、 --- 初探北宗 --- p.66 / Chapter 二、 --- 南北結合、借古開今 --- p.67 / Chapter 第四期 --- 政治藝術(五十年代以後) --- p.70 / Chapter 一、 --- 集古的延續 --- p.71 / Chapter 二、 --- “標準´ح藝術 --- p.72 / Chapter 第三章 --- 吳湖帆山水畫的特色 --- p.80 / Chapter 第一節 --- 筆筆入古 --- p.81 / Chapter 一、 --- 山水畫“仿古´ح的傳統 --- p.81 / Chapter 二、 --- 母題的運用 --- p.83 / Chapter 三、 --- 筆法的結合 --- p.85 / Chapter 第二節 --- 色籠墨染 --- p.89 / Chapter 一、 --- 設色山水的傳統 --- p.89 / Chapter 一、 --- 重現唐宋青綠 --- p.90 / Chapter 二、 --- 色墨交融 --- p.92 / Chapter 第三節 --- 煙雲供養 --- p.95 / Chapter 一、 --- 傳統山水畫中的煙雲 --- p.95 / Chapter 二、 --- 煙雲山水 --- p.98 / Chapter 第四節 --- 詞意山水 --- p.100 / Chapter 一、 --- 詞與畫 --- p.100 / Chapter 二、 --- 詞意山水 --- p.101 / Chapter 第四章 --- 緊守傳統´ؤ´ؤ吳湖帆的畫學思想 --- p.112 / Chapter 第一節 --- 傳統文化的守護 --- p.112 / Chapter 一、 --- 傳統文化的守護 --- p.112 / Chapter 二、 --- 傳統藝術的守護 --- p.116 / Chapter 第二節 --- 吳湖帆的畫學思想 --- p.120 / Chapter 一、 --- 畫史觀 --- p.121 / Chapter i. --- 追本溯源 --- p.121 / Chapter ii. --- 正統觀念 --- p.124 / Chapter iii. --- 南北宗論 --- p.125 / Chapter iv. --- 文人畫觀 --- p.128 / Chapter 二、 --- 創作觀 --- p.132 / Chapter i. --- 工具、功夫 --- p.132 / Chapter ii. --- 緊守系統 --- p.134 / Chapter iii. --- 筆精墨妙 --- p.136 / Chapter 第三節 --- 對時代藝術潮流的回應 --- p.138 / Chapter 一、 --- 檢視傳統的利弊 --- p.139 / Chapter 二、 --- 當下畫壇的評論 --- p.141 / Chapter 三、 --- 現代中國畫的路向 --- p.143 / 結語 --- p.150 / 附錄一吳湖帆生平年表 --- p.159 / 附錄二吳湖帆山水畫作品著錄 --- p.179 / 參考書目 --- p.256 / 圖版第一章圖版 --- p.274 / 第二章圖版 --- p.280 / 第三章圖版 --- p.312 / 結語圖版 --- p.339
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The "Rivers and mountains in autumn colors" by Zhao Boju, and associated attributionsWang, Teh-yu. January 1991 (has links)
Thesis (Ph. D.)--New York University, 1991. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 528-555).
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The development of a cross-cultural instructional model comparing the Chinese and Western landscape paintingWalter, John Adams, January 1978 (has links)
Thesis--Wisconsin. / Vita. Includes bibliographical references (leaves 571-597).
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Huang Kung-wang's "Dwelling in the Fu-chʼun Mountains" the dimensions of a landscape /Hay, A. John January 1978 (has links)
Thesis (Ph. D.)--Princeton University, 1978. / Typescript. Includes bibliographical references (leaves 388-405).
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