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This thesis studies the intellectual development of the painter and writer Wyndham Lewis (1882-1957). His career is seen as an unique expression of the creative and critical intelligence within modern society. The liberal, secular, and individualistic aspects of Lewis's thought are stressed. / The thesis concentrates on four aspects of Lewis's life and work. First, Lewis's relationship with T. E. Hulme, usually described as one of direct influence, is shown to be adversarial and complicated by basic differences of their worldview. Second, the nature of Lewis's fascism is discussed using a new reading of Hitler (1931). Third, Lewis's view of the position and the role of the artist in society is explained by studying three of his models of culture and society, each drawn from a different period of his career. Finally, the relationship of Lewis and Marshall McLuhan is examined to determine the nature and extent of the ideas passed on.

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