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MILLAY IN THE VILLAGEUnknown Date (has links)
Source: Dissertation Abstracts International, Volume: 34-10, Section: A, page: 6631. / Thesis (Ph.D.)--The Florida State University, 1971.
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THE PUBLISHED FICTION OF CHARLES WADDELL CHESNUTT: A CRITICAL ANALYSISUnknown Date (has links)
Source: Dissertation Abstracts International, Volume: 35-02, Section: A, page: 1093. / Thesis (Ph.D.)--The Florida State University, 1974.
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THE CONCEPT OF MADNESS IN THE DRAMATIC LITERATURE OF SEVENTEENTH-CENTURY FRANCEUnknown Date (has links)
Source: Dissertation Abstracts International, Volume: 34-10, Section: A, page: 6626. / Thesis (Ph.D.)--The Florida State University, 1973.
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HUMOR IN THE NOVELS OF CARSON MCCULLERSUnknown Date (has links)
Source: Dissertation Abstracts International, Volume: 34-02, Section: A, page: 0775. / Thesis (Ph.D.)--The Florida State University, 1972.
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CARLOS SOLORZANO: THE MAN AND HIS CREATIVE WORKSUnknown Date (has links)
Source: Dissertation Abstracts International, Volume: 34-07, Section: A, page: 4240. / Thesis (Ph.D.)--The Florida State University, 1973.
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RICH AND STRANGE: INTERPRETATIONS OF "THE TEMPEST."Unknown Date (has links)
Source: Dissertation Abstracts International, Volume: 34-09, Section: A, page: 5952. / Thesis (Ph.D.)--The Florida State University, 1971.
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Outposts and other poems. (Original composition);Fuller, William Emory Unknown Date (has links)
An original volume of poetry consisting of fifty-two poems, twelve of which have been previously published. The poems are arranged in a loose chronological order rather than thematically. The early ones are, for the most part, quite traditional in language, tone, and structure even though most of them are unrhymed. The themes are varied, ranging from romantic love to aubades. / Later poems are more modern in that they depend less and less on grammatical statement and more on image and metaphor. Themes are still varied, but a number of them attempt to utilize modern psychological approaches to understanding the dark underside of human nature. / These later poems are written in free verse. The theme of most of them is the human condition: love, rejection, loneliness, alienation, and the search for self and meaning in an existential world. In the most recent poems, there is a noticeable shift away from traditional imagery and grammatical statement. These poems are non-narrative, depending on allusion, tone, and symbols and images that carry their own internal logic rather than depending on grammatical syntax and logical time sequence. They are more innovative in that they attempt to more fully utilize the resources of language. / Source: Dissertation Abstracts International, Volume: 49-12, Section: A, page: 3719. / Major Professor: Van Brock. / Thesis (Ph.D.)--The Florida State University, 1988. / An original volume of poetry consisting of fifty-two poems, twelve of which have been previously published. The poems are arranged in a loose chronological order rather than thematically. The early ones are, for the most part, quite traditional in language, tone, and structure even though most of them are unrhymed. The themes are varied, ranging from romantic love to aubades. / Later poems are more modern in that they depend less and less on grammatical statement and more on image and metaphor. Themes are still varied, but a number of them attempt to utilize modern psychological approaches to understanding the dark underside of human nature. / These later poems are written in free verse. The theme of most of them is the human condition: love, rejection, loneliness, alienation, and the search for self and meaning in an existential world. In the most recent poems, there is a noticeable shift away from traditional imagery and grammatical statement. These poems are non-narrative, depending on allusion, tone, and symbols and images that carry their own internal logic rather than depending on grammatical syntax and logical time sequence. They are more innovative in that they attempt to more fully utilize the resources of language.
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The Kingdom of the Shore. (Original writing);Berry, Faith Unknown Date (has links)
An original work of fiction--in the form of a social novel--which examines themes of gender, race, religion, and nationality in contemporary American life. The dramatic action springs mainly from the perceptions and experiences of the protagonist, an actress of mixed blood, whose spiritual quest for identity is linked to the major themes. Her evolution is central to the exposition. The protagonist's interactions with other characters, and her inner thoughts, mark the transition between past and future events. Stylistically, the novel combines social history, mythology and literary realism. It sets the story through the dramatic and narrative method--and is told from the third person limited omniscient point of view. The primary setting is New York City and Key West; the time of the action is the early 1980s. Locale and setting make character and background function together in the development of the plot in cultural context. / Source: Dissertation Abstracts International, Volume: 50-02, Section: A, page: 0434. / Major Professors: Hunt Hawkins; Sheila Ortiz Taylor. / Thesis (Ph.D.)--The Florida State University, 1988. / An original work of fiction--in the form of a social novel--which examines themes of gender, race, religion, and nationality in contemporary American life. The dramatic action springs mainly from the perceptions and experiences of the protagonist, an actress of mixed blood, whose spiritual quest for identity is linked to the major themes. Her evolution is central to the exposition. The protagonist's interactions with other characters, and her inner thoughts, mark the transition between past and future events. Stylistically, the novel combines social history, mythology and literary realism. It sets the story through the dramatic and narrative method--and is told from the third person limited omniscient point of view. The primary setting is New York City and Key West; the time of the action is the early 1980s. Locale and setting make character and background function together in the development of the plot in cultural context.
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AMERICAN HUMOR: 1920-1955Unknown Date (has links)
Source: Dissertation Abstracts International, Volume: 25-01, page: 0486. / Thesis (Ph.D.)--The Florida State University, 1963.
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JAMES JOYCE AND ASSOCIATED IMAGE MAKERSUnknown Date (has links)
Source: Dissertation Abstracts International, Volume: 20-11, page: 4398. / Thesis (Ph.D.)--The Florida State University, 1960.
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