Mo Yan has become a well-known writer for his legendary style of novels within the past two decades. In 1988, the Chinese film, Red Sorghum, adapted from Mo Yan¡¦s novel, won the Golden Bear Prize in the 38th Berlin International Film Festival. Therefore, not only the film but also the original novel drew a lot of international attention. Mo Yan presents his charisma in multiple aspects of his novels due to his unique personal experience. First, he applied many colloquial materials as elements of folk literature in his novels. For instance, proverbs, legends, and ballads are commonly quoted in his writings. In addition, during his voluntary military service, he did have the experience to take part in composing a piece of Cat Tune, also known as Maoqiang, a local traditional Chinese Opera in Shandong Province. Second, Mo Yan has a spontaneous talent for story telling mainly passed down from his grandparents, the Chinese classic Zhanghuiti-Style Novels, and the translated literatures of world masterpieces. Third, his belief in insisting on writing as the general populace rather than writing for it has made him a spokesperson of the common people even though this is quite against others¡¦ points-of-view. This thesis aims to verify what those components of folklore in Mo Yan¡¦s novels are and whether they are highly agree with his belief or not. The whole text is divided into five chapters and emphasizes on analyzing the materials of folklore listed in categories. In addition, an introduction to Literature of the New Era is included.