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A etnopo?tica de Iracema: di?logo, ci?ncia e literaturaSartori, Renata Coelho 19 March 2013 (has links)
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Previous issue date: 2013-03-19 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Literary works are thought provokers that make it possible to access several forms to view
the world and reality. They provide diversified points of view and infinite connections. In
a particular way, among all the other forms of art expression literature is considered to be
the closest to life, once it is able to reconnect all human dimensions emotional, rational,
mystic, personal, universal, corporal, historic, mythical. This thesis aims at offering some
reflections about the frontiers and bridges between science and literature aiming at
understanding the complexity that guides them. It presents a new reading of Iracema
novel: Cear? tale of Jos? de Alencar from a meticulous incursion through new ways and
natural spaces interwoven by Alencar. It tries to hear the echoes of this indianist novel in
the university students today. In a broader context, it creates arguments that question the
multiple threadsthat join science and literature so that a science of complexity arises
distinguishing but not separating the innumerous narratives about the world. For this
purpose, this thesis has as interlocutors: Antonio Candido, Charles P. Snow, Edgar Morin,
Emilio Ciurana, Fritjof Capra, George Steiner, Ilya Prigogine, Isabelle Stengers, Roger
Chartier, Roland Barthes. The plot presented here does not limit the novel to science, but
makes it a rereading of the word, of life, once this is the raw material of books. As a
methodological strategy, we rebuilt Iracema?s character trips in a way to update the novel,
resulting in the video documentary Iracema ways: the arid and remote interior, the
plateau, the sea. Iracema novel and character enhancing dialogs that allow the
dichotomy rupture between two cultures (Charles P. Snow), recognizing they are not
incommunicable and revealing the core argument of the thesis: Iracema belongs to a
complex category. It is a hybrid novel that is far, far away from that bluish plateau in the
horizon / As obras liter?rias s?o operadores do pensamento que permitem acessar formas m?ltiplas
de ver o mundo e a realidade. Propicia diversos pontos de vista e infinitas conex?es. De
forma particular, entre todas as formas de express?o da arte, a literatura ? considerada a
mais pr?xima da vida, capaz de religar todas as dimens?es humanas - emotiva, racional,
m?stica, particular, universal, corporal, hist?rica, m?tica. O objetivo da tese ? oferecer
algumas reflex?es sobre as fronteiras e pontes entre ci?ncia e literatura, visando ?
compreens?o da complexidade que as norteiam. Apresenta uma releitura do romance
Iracema: lenda do Cear?, de Jos? de Alencar, a partir de uma incurs?o minuciosa,
reconstruindo caminhos atuais e os espa?os naturais trabalhados por Alencar. Procura
escutar os ecos desse romance indianista nos jovens estudantes universit?rios atuais. Em
um contexto mais amplo, tece argumentos que problematizam os m?ltiplos fios que
hibridam ci?ncia e literatura de modo a por em a??o uma ci?ncia da complexidade que
distingue, mas n?o separa, as diversas narrativas sobre o mundo. Para tal, a tese tem como
interlocutores: Antonio Candido, Charles P. Snow, Edgar Morin, Emilio Ciurana, Fritjof
Capra, George Steiner, Ilya Prigogine, Isabelle Stengers, Roger Chartier, Roland Barthes.
A tecitura das ideias aqui apresentadas n?o reduz o romance ? ci?ncia, mas situa-o como
uma releitura do mundo, da vida, j? que esta ? mat?ria-prima do livro. Como estrat?gia de
m?todo reconstru?mos as viagens da protagonista, Iracema, como forma de atualizar o
romance, resultando no v?deo document?rio Caminhos de Iracema: sert?o, serra e mar.
Iracema romance e personagem - instigam di?logos que possibilitam romper a dicotomia
entre as duas culturas (Charles P. Snow), reconhecendo que elas n?o s?o incomunic?veis e
revelando o argumento central da tese: Iracema pertence ? ordem do complexo, ? um
romance h?brido que est? al?m, muito al?m daquela serra que ainda azula no horizonte
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