Paschal Mystery Celebration in Roman and Byzantine Christian Tradition. Comparison Attempt. Abstract Dissertation deals with comparison outline of the Easter Mystery celebration in two liturgical traditions: in christian byzantine and christian west tradition. Thesis is based on the jewish First Pascha celebration and its celebration in the historical Jesus period and in His death and resurrection as the central event of the mankind salvation and christian life. The influence of the Old Testament Easter celebration is tracked in Easter celebration within early christian period followed by the form of the celebration in the 4th century and celebration in Middle Ages. Finally for the roman tradition the 20th century reform in its 2 steps was studied. For byzantine tradition the reformist reflecions and attempts over the last centuries. The core of the thesis is a comparison of actual celebration in both studied traditions and pinpointing of some basic elements and symbols which holds the strong theological meaning. Keywords Paschal Mystery, Easter, Liturgy, Holy Week, Byzantine Liturgy, Roman Liturgy

Chapter 1 emphasizes the central position that the worship service occupies in the life of the believer, but then the whole person of the believer. The atmosphere is therefore vital. This is researched in part 2 by an exegetical study of 1 Corinthians 1-14, as well as the rest of Scripture. The variations through history are also studied. The atmosphere in the worship service should be such that the worshipper meets God with the necessary awe and respect. The service must also create an atmosphere of love, warmth, friendliness, and joy. All present must be invited and made welcome by the service. The atmosphere must further encourage and create room for everybody to participate and use their specific gifts. It can therefore change from service to service and within a single service. Important instruments in the atmosphere are the liturgical space, symbols, rituals, physical movement, gestures, music, song and the senses. Part 3 studies the contribution of adjacent sciences, like the theory of communication, cognitive science, symbolism, music, architecture and multimedia. These sciences support the principles of part 2 and give important perspectives for the practical application thereof. The situation in practice is studied by empirical research. The atmosphere is clearly not sufficiently integrated in the worship service. Although some elements are present, they are purely coincidental. A specific aimed strategy is lacking. Part 4 tries to bridge the gap between the base theory (part 2) and the practice (part 3) by suggesting practical guidelines. Because every congregation is in a unique context, a model is given to realize the principles. The image of the 'house of God is used to summarize and explain the principles. The final conclusion is that atmosphere plays a vital role in the worship service. In practice very little is made hereof. If the Atmosphere in the worship service is adjusted to what it should (and can!) be, the worship service will come closer to the purpose for which it is there and will it become even more of a meeting of the total person with the totality of God and with the totality of the fellow believer and the world. / Thesis (Ph.D. (Liturgics))--North-West University, Potchefstroom Campus, 2005.

Chapter 1 emphasizes the central position that the worship service occupies in the life of the believer, but then the whole person of the believer. The atmosphere is therefore vital. This is researched in part 2 by an exegetical study of 1 Corinthians 1-14, as well as the rest of Scripture. The variations through history are also studied. The atmosphere in the worship service should be such that the worshipper meets God with the necessary awe and respect. The service must also create an atmosphere of love, warmth, friendliness, and joy. All present must be invited and made welcome by the service. The atmosphere must further encourage and create room for everybody to participate and use their specific gifts. It can therefore change from service to service and within a single service. Important instruments in the atmosphere are the liturgical space, symbols, rituals, physical movement, gestures, music, song and the senses. Part 3 studies the contribution of adjacent sciences, like the theory of communication, cognitive science, symbolism, music, architecture and multimedia. These sciences support the principles of part 2 and give important perspectives for the practical application thereof. The situation in practice is studied by empirical research. The atmosphere is clearly not sufficiently integrated in the worship service. Although some elements are present, they are purely coincidental. A specific aimed strategy is lacking. Part 4 tries to bridge the gap between the base theory (part 2) and the practice (part 3) by suggesting practical guidelines. Because every congregation is in a unique context, a model is given to realize the principles. The image of the 'house of God is used to summarize and explain the principles. The final conclusion is that atmosphere plays a vital role in the worship service. In practice very little is made hereof. If the Atmosphere in the worship service is adjusted to what it should (and can!) be, the worship service will come closer to the purpose for which it is there and will it become even more of a meeting of the total person with the totality of God and with the totality of the fellow believer and the world. / Thesis (Ph.D. (Liturgics))--North-West University, Potchefstroom Campus, 2005.