The thesis is concerned with the little explored phenomenon of subtitling of live theatre broadcasts. Its aim is to describe the subtitling practice and the outer process of the translation, to determine the translation norms applied in this domain and to monitor reception of the final product. The descriptive thesis explores the translation practice of the NT Live series, which is one of a kind in the Czech Republic. Several case studies help to explore the reception and translation norms. The research makes use of both qualitative methods, such as semi- structured interview and comparative translation analysis, and quantitative methods, such as standardized questionnaire. The results are interpreted with regard to theoretical findings of translation studies in areas related to the subtitling of live theatre broadcasts. The thesis concludes that the client's requirements are minimal and the norms are gradually established by the subtitlers themselves, or adopted from television subtitling practice. Although the live cuing of the subtitles is an inseparable part of the translation process, there is little cooperation between the subtitlers and those who cue subtitles during the broadcast. Concerning reception, the audience is rather satisfied with the subtitles, but it could be advisable to revise...

This thesis describes the development of the sports broadcasting in Czechoslovakia in the form of the practical research and historical analysis. The examined period starts in 1923 as the beginning of the existence of Radiojournal - the first radio station in Czechoslovakia and is defined by the year 1948. The thesis is systematically divided into five periods in which I describe the first signs of the interest in the sport in a regular radio broadcasting, first major sports events broadcasted by Radiojournal, organizational, personnel and technical background, marginal sports. Selected sport events with greater or minor importance are also described, as they were gradually transmitted by Radiojournal or Czechoslovak Radio in different periods. The thesis also mentions the occupation of the Czechoslovak Republic during the World War II, when has the interest in the sports radio broadcasting decreased but not vanished completely. There are outlined the activities of Josef Laufer during this period too. Laufer was Czechoslovak icon of the sports radio broadcasting. There is described the personnel expansion and the development of the independent sports redaction in the postwar period. This thesis is based on the practical research in the archive of the Czech Radio, the most beneficial information was provided...

Diploma thesis "Football World Cup on the screens of Czechoslovak television : progress of live broadcasting matches from England 1966 to Italy 1990" deals with television interpretation of World Cup broadcasting by Czechoslovak television. There is also mentioned progress of Sport department of Czechoslovak television since the beginning. Author has illustrated participation of audiovisual media from the first World cup in 1930. He brings schedule of broadcasting of Czechoslovak television from each World Cup in the main period under consideration from 1966 to 1990. He takes notice of work of football commentators and also of structure of broadcasting. There is used historical analysis to observe the progress of number commentators and other television workers who were on World Cup, number of live broadcasting matches or recording matches. There is also some comparison with foreign televisions.

Subject of this study is the analysis of sports television broadcasting in the Czech Republic, Germany, Spain and Great Britain. This comparison serves primarily to examine the visual content of selected TV stations from specific country. TV sports broadcasts are not simply capturing reality, but they are rather an interpretation of this reality, which is also reflected in a number of narrative elements that increases the attractiveness of the event. The author of this study applies the theoretical knowledge to examples of live broadcasts and further develops the theory. Concludes that analysed broadcasts from different countries did not differ significantly from one another, it can be interpreted as a result of the homogenization of sports broadcasting.

The smart phone has become the major device for taking photos and filming. There are 800 hours of videos uploaded to YouTube every minute, and more YouTubers participating in generating videos. Because it is an era of we-media, there will be more and more people using video to promote himself. Nowadays, people can shoot 4k video by smartphones, but there’s no solution for people who want to shoot videos with good audio quality, without worrying about the issue of noise, time consuming, post-editing, expensive tools and long distance filming. This new product called WiMic, a wireless noise-reduction recorder for video-shooting on smartphones. The target audience will be YouTubers, video makers, travelers, families, bands, sports. Anyone who want to shoot good videos with great and clear audio quality will need wireless recorder like WiMic. In addition, there are some main features, such as noise reduction by ANR and ANC, light weight, long distance of audio recording, three-sound-tracks simultaneous recording and supporting live streaming, which help video-shooting lovers to produce better audio quality videos without noise and share them with friends and audience.

This diploma thesis deals with football television commentary since 1970s to present days. In theoretical part it examines its development and two crucial domestic representatives of this genre - Vít Holubec and Jaromír Bosák. The greatest emphasis is placed on verbal chracteristics of their commentary and usage of language means. That is the reason why this diploma thesis also contains Czech language theory that sums up the specifics of football commentary and explains them on actual examples. The practical part contains detailed analysis of four selected football matches. The aim of this work is to compare TV football commentary from 1970s, 1980s and 1990s with its current conception through comparative language analysis.