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The woman who was (not) there :Furler, Loene. Unknown Date (has links)
The purpose of the thesis is to reflect upon the female nude imagery in the counterculture publication London Oz 1967 - 1968, with the retrospective understanding that the alienation involved had a profoundly detrimental effect on my art practice at the time. My aim is to interrogate the past with a view to informing creatively my present work. My thesis is a body of paintings accompanied by an exegesis and a catalogue, from the shed to the dining room and back, 2002, as a work in progress of the MVA. / Thesis (MVisualArts)--University of South Australia, 2005.
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