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Nueva visión del amor cortés el amor cortés a la luz de la tradición cristiana /Menéndez Peláez, Jesús. January 1980 (has links)
Thesis (doctoral)--Universidad de Oviedo, 1978. / Includes bibliographical references (p. 335-357).
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Kano market literature and the construction of Hausa-Islamic feminism : a contrast in feminist perspectives of Balaraba Ramat Yakubu and Bilkisu Ahmed Funtuwa /Whitsitt, Novian, January 2000 (has links)
Thesis (Ph.D.)--University of Wisconsin--Madison, 2000. / Includes bibliographical references (p. 163-179). Also available on Internet.
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Tennyson and Swinburne and the metaphor of love: the quest for spiritual values in nineteenth century EnglandYoung, Robert Stephen, 1942- January 1977 (has links)
No description available.
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"Everything important is to do with passion" : Iris Murdoch's concept of love and its Platonic origin /Larson, Kate, January 2009 (has links)
No description available.
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Les transformations du triangle érotiqueOlsen, Michel, January 1976 (has links)
Thesis--Aarhus, 1975. / Includes indexes. Includes bibliographical references (p. 418-428).
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"Till this moment, I never knew myself" : developing self, love, and art in Jane Austen's Sense and sensibility, Pride and prejudice, and Emma /Nelson, Heather, January 2005 (has links)
Thesis (M.A.)--Wake Forest University. Dept. of English, 2005. / Vita. Includes bibliographical references (leaves 140-145)
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Natalia Borisova: Mit Herz und Auge. Liebe im sowjetischen Film und in der Literatur: BuchbesprechungSittner, Anneke 16 July 2020 (has links)
Es sei „nicht ohne Pikanterie“, als Deutsche über den polnischen Nationalismus zu schreiben, bemerkt Stephanie Zloch in ihrer Monografie „Polnischer Nationalismus. Politik und Gesellschaft zwischen den beiden Weltkriegen“ (Köln-Weimar-Wien 2010: 5). Die Schweizerin Isabelle Vonlanthen wiederum stellte in einem Radiointerview vom März 2013 fest, ihr würde es leichter fallen zu diesem Thema zu forschen, da sie aus ihrer Außenposition heraus weniger auf historische Empfindlichkeiten achten müsse. In ihrer Studie „Dichten für das Vaterland“ analysiert sie national engagierte Lyrik und Publizistik in Polen zwischen 1926 und 1939. Die als Dissertation an der Philosophischen Fakultät der Universität Freiburg bei Rolf Fieguth angefertigte Arbeit wurde durch ein dreijähriges Stipendium am Institut für Literaturforschung in Warschau gefördert.
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"Looking into the Heart of Light, the Silence": The Rule of Desire in T.S. Eliot's PoetryAdams, Stephen D. (Stephen Duane) 08 1900 (has links)
The poetry of T. S. Eliot represents intense yet discriminate expressions of desire. His poetry is a poetry of desire that extenuates the long tradition of love poetry in Occidental culture. The unique and paradoxical element of love in Occidental culture is that it is based on an ideal of the unconsummated love relationship between man and woman. The struggle to express desire, yet remain true to ideals that have deep sacred and secular significance is the key animating factor of Eliot's poetry. To conceal and reveal desire, Eliot made use of four core elements of modernism: the apocalyptic vision, Pound's Imagism, the conflict between organic and mechanic sources of sublimity, and precisionism. Together, all four elements form a critical and philosophical matrix that allows for the discreet expression of desire in what Foucault calls the silences of Victorianism, yet Eliot still manages to reveal it in his major poetry. In Prufrock, Eliot uses precisionism to conceal and reveal desire with conflicting patterns of sound, syntax, and image. In The Waste Land, desire is expressed as negation, primarily as shame, sadness, and violence. The negation of desire occurred only after Pound had excised explicit references to desire, indicating Eliot's struggle to find an acceptable form of expression. At the end of The Waste Land, Eliot reveals a new method of expressing desire in the water-dripping song of the hermithrush and in the final prayer of Shatih. Continuing to refine his expressions of desire, Eliot makes use of nonsense and prayer in Ash Wednesday. In Ash Wednesday, language without reference to the world of objects and directed towards the semi-divine figure represents another concealment and revelation of desire. The final step in Eliot's continuing refinement of his expressions of desire occurs in Four Quartets. Inn Four Quartets, the speaker no longer carries the burden of desire, but language at its every evocation carries the cruel burden of ideal love.
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" Feasting with panthers": unstable sexual identity and the pedagogic Eros in the Divine ComedyUnknown Date (has links)
The purpose of this study is to analyze the problem posed by homosexuality in Dante's Commedia. I look at several topics and questions : A) What are the implications of homosexuality in regards to both justice in the polis and to divine justice in the next world? B) What are the poetics of queer variance? C) What are the oedipal issues surrounding the Dantean father-figures VIrgil, Brunetto Latini, and other males? D) What is the role of the pedagogic Eros in promoting a strong national bond and social ethos? E) Where does Dante situate "sodomites" (and, by extension, what role does desire play) in the schemata of Inferno, Purgatorio, and Paradiso, and why is this important? All of these questions are interrelated and have a bearing on Dante's notion of the good society and divine justice. / by Albert Morris. / Thesis (M.A.)--Florida Atlantic University, 2012. / Includes bibliography. / Mode of access: World Wide Web. / System requirements: Adobe Reader.
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愛情的社會學意義: 當代香港文學的愛慾敘事. / Sociological meanings of love: narratives of eros in contemporary Hong Kong literature / Narratives of eros in contemporary Hong Kong literature / 當代香港文學的愛慾敘事 / CUHK electronic theses & dissertations collection / Ai qing de she hui xue yi yi: dang dai Xianggang wen xue de ai yu xu shi. / Dang dai Xianggang wen xue de ai yu xu shiJanuary 2010 (has links)
劉小麗. / Submitted: March 2010. / Thesis (doctoral)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (p. 244-253). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Liu Xiaoli.
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