Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-03-18T21:55:10Z No. of bitstreams: 1 AgamenonClementeDeMoraisJunior_DISSERT.pdf: 11540034 bytes, checksum: ba0216cfe99dfb83f34e282a5a988727 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-03-18T22:39:55Z (GMT) No. of bitstreams: 1 AgamenonClementeDeMoraisJunior_DISSERT.pdf: 11540034 bytes, checksum: ba0216cfe99dfb83f34e282a5a988727 (MD5) / Made available in DSpace on 2016-03-18T22:39:55Z (GMT). No. of bitstreams: 1 AgamenonClementeDeMoraisJunior_DISSERT.pdf: 11540034 bytes, checksum: ba0216cfe99dfb83f34e282a5a988727 (MD5) Previous issue date: 2014-12-09 / O objetivo deste trabalho ? investigar possibilidades de extens?es de procedimentos composicionais, tendo por base os recursos disponibilizados pelo Sistema Schillinger de Composi??o Musical (SSCM). Localiza historicamente e realiza uma revis?o de literatura sobre o assunto. Apresenta o estado da arte do trabalho realizado pela equipe da qual o autor deste trabalho faz parte e apresenta os resultados obtidos, com vistas tanto ? aprendizagem quanto ? revis?o do processo composicional. Sugere a extens?o do conceito de local de ataque para local de instrumenta??o e desenvolve o procedimento de instrumenta??o bin?ria. Apresenta o memorial composicional da obra Su?te Grega, para Obo?, Saxofone e 3 Violoncelos. Comenta os resultados obtidos e apresenta possibilidades para a continua??o da pesquisa. / The work aims at investigating possibilities of extending compositional procedures, based on the Schillinger System of Musical Composition (SSMC). I start by elaborating a brief historical review on SSMC, which is followed by a critical review of the System. The work includes a state of the art on the research on this topic, performed upon analysis of the current work conducted by a research group from the UFRN Music School from which I also make part. The main line of the research is to elaborate on the suggestion of extending the SSMC concept of place of attack to the idea of place of instrumentation, through developing a binary instrumentation procedure. The experimentation on the thesis? hypothesis is presented in my composition titled ?Su?te Grega? (Greek Suite), a compositional memoir for Oboe, Saxophone and 3 Cellos.