I have made an investigation in how I can encourage curiosity in textiles with a specific interest in its structures. I have found that repetition is one efficient way to make a separate building element disappear into its own mass and instead be viewed as a surface. I researched how different surfaces are created by experiment with materials and techniques and looked into the big role tactility plays when curiosity in textiles are created but as well realized that a haptic experience can be reached not only with skin but through the eyes. The experiments and elaborations I made took my ideas beyond my starting point and further than I first could imagine. I explored and questioned hierarchies and values of materials by the way I used and combined them. By doing so I realized and discussed the dilemma of being positive to the idea of letting people experience my work through touching and the issue with sustainability, duration and demolishing the patterns while doing so.  Through this paper I aimed to find a definition for what fiber art can be today. I didn´t find one or totally uniform answer but it seems to me that it´s a movement that stretches over diverse material fields and has an underlying power to push boundaries and traditions and break free from classifications.