Global ETD Search

191	Queerable spaces : homosexualities and homophobias in contemporary film : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Cultural Studies in the University of Canterbury / Demirkan-Martin, Vulcan Volkan. January 2009 (has links) Thesis (Ph. D.)--University of Canterbury, 2009. / Typescript (photocopy). Includes bibliographical references (leaves 193-210). Also available via the World Wide Web.
192	Filming gay representations : male homosexuality in Hong Kong and Taiwanese cinema / Suen, Pak-kin. January 2000 (has links) Thesis (M. Phil.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 145-148).
193	Film Complex : Resuscitation of film in commercial society / Ng, Siu-hong, Ryan. January 1999 (has links) Thesis (M. Arch.)--University of Hong Kong, 1999. / Includes special study report entitled: Advanced cinema technology. Includes bibliographical references.
194	Gender representation in films / Yeung, Yuk-ngan. January 2002 (has links) Thesis (M.A.)--University of Hong Kong, 2002. / Includes bibliographical references (leaves 67-34).
195	Rape myths in the American movie industry : a content analysis and feminist criticism Phillips, Julie D. January 1995 (has links) This study explored rape depictions and rape myths in the mainstream American filmindustry. Four rape myths pervade American culture. The myths argue that women "ask" for rape, "deserve" rape, lie about rape, and are not really hurt by rape. These myths place blame on the victim and absolve the rapists on any wrongdoing. Furthermore, these myths attempt to justify male sexual aggression against women.This study explored film's portrayal of the rape event, the victim, the rapist, and the depiction of specific rape myths. A content analysis of 16 American films released between 1982 and 1994 revealed 27 victims of rape. The content analysis also provided a descriptive analysis of the rape event while a feminist analysis revealed the films' underlying ideological underpinnings.The content analysis revealed that the films distort rape by consistently portraying the rapist and victim as young white, middle class men and women. Additionally, the relationship between victim and rapist was distorted as well as the legal aftermath of the rape.The feminist analysis revealed that films perpetuate rape myths more frequently than they challenge these myths. In some instances, films presented the reality of rape, particularly the environment the victim would enter. Most films, however, advanced patriarchal beliefs about rape. / Department of Journalism Rape. Women in motion pictures. Feminism and motion pictures. Sex in motion pictures.
196	Corporate fictions film adaptation and authorship in the classical Hollywood era / Edwards, Kyle Dawson, January 1900 (has links) (PDF) Thesis (Ph. D.)--University of Texas at Austin, 2006. / Vita. Includes bibliographical references.
197	Only a trickle? : blood in detail and three women's films / Field, Emma. January 2003 (has links) Thesis (M.A.)--University of Tasmania, 2003. / Not available for loan or copying unless written permission is given by the author. Includes bibliographical references (leaves 116-127).
198	Beyond the pink : (post) youth iconography in cinema / Lee, Christina H. P. January 2005 (has links) Thesis (Ph.D.)--Murdoch University, 2005. / Thesis submitted to the Division of Arts. Bibliography: leaves 325-368.
199	Identidad, mito y prescripción una nueva ola de realismo en España. El cine de Iciar Bollaín, Fernando León, Achero Mañas y Benito Zambrano en el cambio de siglo / Martínez-Abeijón, Matías, January 2008 (has links) Thesis (Ph. D.)--Ohio State University, 2008.
200	Developing a community of independent film/video producers to foster creation, marketing, and distribution of digital media Craddolph, Hayden V. January 2006 (has links) Thesis (M.S.)--Kutztown University of Pennsylvania, 2006. / Includes bibliographical references.

Search results