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41	A critical analysis of Peter Sellars's three stage productions of the Mozart/da Ponte operas / Kim, Hak Min, January 2000 (has links) Thesis (D.M.A.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 150-165). Available also in a digital version from Dissertation Abstracts.
42	Mozart, a study of the symphonies Rafferty, Michael Dean January 1969 (has links) There is no abstract available for this thesis. Mozart, Wolfgang Amadeus, 1756-1791.
43	A Comparison of Mozart's Missa Brevis in C Major, K.220 and Kodaly's Missa Brevis Hunt, Antonio Montrell 09 June 2006 (has links) This document uses historical research and performance practices in choral music to reveal the meaning of Mozart’s Missa Brevis in C, K. 220. The focus of this research compares the development of Mozart’s composition to the Hungarian Twentieth-century composer, Zoltan Kodaly’s, setting of the Missa Brevis written for choir and organ. The author gives a detailed analysis of both compositions, which further explains the influences and musical nuances of the 18th century Catholic church music. In addition to preparing a choral performance for K. 220, other missa brevis by Mozart are briefly discussed and organized by origin, performing forces, difficulty level, and duration. This analytical approach ultimately reveals that Mozart’s K. 220 serves as a festive and unified model of choral excellence throughout the history of sacred choral music. INDEX WORDS: W.A Mozart, 1756-1791, Missa brevis, K.220, Zoltan Kodaly, 1882- 1897, Spatzenmesse, Masses, Eighteenth- Century church music, Thesis (M.Mu), Choral Conductor’s analysis, Georgia State University, College of Arts and Science Mozart analysis Kodaly missa brevis
44	The march: its origins and development to a culmination in the music of Mozart. Labash, Berta Anne. January 1963 (has links) Thesis (M.A.)--University of Rochester, 1963. / Typewritten. Bibliography: l. 125-129. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/4088 Mozart, Wolfgang Amadeus, March (Music)
45	Musik som lyssnandets konst en analys av W.A. Mozarts symfoni no 40, g moll K.550 / Stockfelt, Ola. January 1900 (has links) Thesis (doctoral)--Göteborgs universitet, 1988. / Extra t.p. with thesis statement inserted. Summary in English. Includes bibliographical references (p. 225-239).
46	Die Gloria- und Credo-Sätze der Messen W. A. Mozarts : zur Theorie der Form, des vokal-instrumentalen Satzes und der Metrik... / Morbach, Bernhard. January 1979 (has links) Diss. : Saarbrücken--Univ. des Saarlandes--Phil. Fak., 1978. / 1. Textband. 326 p. : musique. 2. Satzschemata und Notenbeispiele zur grafischen Analyse der Gloria- und Credo-Sätze. XXXI-157 p. : musique. Mozart, Wolfgang Amadeus, 1756-1791.
47	Musik som lyssnandets konst en analys av W.A. Mozarts symfoni no 40, g moll K.550 / Stockfelt, Ola. January 1900 (has links) Thesis (doctoral)--Göteborgs universitet, 1988. / Extra t.p. with thesis statement inserted. Summary in English. Includes bibliographical references (p. 225-239).
48	Humor in the piano sonatas of Wolfgang Amadeus Mozart / Choi, Yoon-Sook, January 2000 (has links) Thesis (D. Mus. Arts)--University of Washington, 2000. / Vita. Includes bibliographical references (leaves 100-107).
49	Individualisierungsprozesse in der Sinfonie des 18. Jahrhunderts dargestellt am Phänomen vorhangsartiger Eröffnungsfloskeln / Gleim, Elfrid, January 1900 (has links) Thesis (doctoral)--Friedrich-Alexander-Universität Erlangen-Nürnberg, 1984. / "W.A. Mozart, der Weg in die Individualisierung": p. 105-161. Vita. Bibliography: p. 165-170. Mozart, Wolfgang Amadeus, Symphony Music
50	Der Klangstil des Mozartorchesters Ein Beitrag zur Instrumentations-Geschichte des 18. Jahrhunderts ... Thieme, Carl. January 1936 (has links) Inaugural-Dissertation - Leipzig. / "Vita": p. [89]. "Bibliographischer Überblick": p. 3-7.

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