Thesis--Columbia University, 1916. / Published also as without thesis note. "Selected bibliographical index": p. [125]-127.

Thesis (M.A.)--Texas State University-San Marcos, 2006. / Vita. Includes bibliographical references (leaves 76-79).

Thesis (M.A.)--Texas State University-San Marcos, 2006. / Vita. Includes bibliographical references (leaves 76-79).

Abstract for an interesting item

No description available.

No description available.

This treatise examines the auditory culture of the political campaign through the theoretical hubs of magic, affect and noise. It examines the ways in which sound is used in campaigns and how those sounds affect listeners who are participating. The data for this project was collected though ethnographic work with various Democratic organizations in Austin, TX from 2006-2008. / text

Solid-state NMR has become a powerful tool for studies of structural and physical properties of polymers. This thesis investigates a technically produced block copolymer . by means of solid-state NMR. The properties which are of principal interest are the heterogeneity on various scales ranging from molecular (unit cell) to macroscopic (morphology), and molecular motion in solids. The important question of cross polarisation is addressed. Quantification of depolarisation experiments will bring some more insight into the origins of the polarisation transfer. Basically a model by Muller, Kumar and Ernst has been used to describe the polarisation transfer. Novel results are reported in this area spin-lattice relaxation measurements, both in the laboratory and on-resonance rotating frames of resonance are applied to the block copolymer. An attempt is made to address the relation of the observed relaxation times and the macroscopic properties. The behaviour of the observed and the intrinsic properties of the various regions of the heterogeneous system in the presence of spin diffusion is investigated. The system is simulated by a computer model, which allows quantification of the dimensions of the different regions. Comparison with small-angle X-ray diffraction measurements illustrates the accuracy of this new powerful technique.

none

This thesis explores the importance of tolerating and facilitating uncertainty as it is recognised by British Independent and Kfeinian psychoanalysis and contemporary British magic realist fiction. In Part I, I offer some theoretical investigations, arguing that postmodem and some psychoanalytic discourses, namely Lacanian psychostructuralism, remarkably fail to address the challenges facing subjects in late- twentieth, early twenty-first century consumer culture. In their inability to tolerate paradoxes and uncertainty, these discourses objectify the subject, through processes of depersonalisation, derealisation and desubjectification. To redress these problems, I offer the work of British psychoanalysts, specifically, that of D. W. Winnicott and Melanie Klein and her followers. These perspectives, I argue, better serve the contemporary subject by recognising the importance of paradox and helping develop facilitating environments for the realisation of creative experience. In Part II, I examine how the play of paradox is fostered in contemporary British magic realist fiction. Specifically, I look at how these narrative strategies attempt to move away from the vicissitudes of internal and external, certainty and uncertainty, reason and unreason, to negotiate a Winnicottian third, potential space. The conceptualisation of such a space, I believe, offers a place from which we can begin to dialogue, to draw ourselves out of the oppositional dialectics that have plagued the bourgeois subject. I believe that in the novels of writers such as Jeanette Winterson, Joanne Harris, John Fowles, John Murray and, most especially, Angela Carter, we can find alternatives to bourgeois conceptions of reason and rationality, alternatives that are not based on the paranoid-schizoid, primitive processes and depersonalisation necessitated by the Enlightenment and capitalism but instead upon, in Kleinian terms, depressive ambivalence and the recognition of whole-objects.