Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-03-12T20:35:46Z No. of bitstreams: 1 JoseHeriksonDantasDoAmaral_DISSERT.pdf: 2950365 bytes, checksum: 5920d77e1494c305e50cc8f9174d650e (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-03-16T21:11:52Z (GMT) No. of bitstreams: 1 JoseHeriksonDantasDoAmaral_DISSERT.pdf: 2950365 bytes, checksum: 5920d77e1494c305e50cc8f9174d650e (MD5) / Made available in DSpace on 2018-03-16T21:11:52Z (GMT). No. of bitstreams: 1 JoseHeriksonDantasDoAmaral_DISSERT.pdf: 2950365 bytes, checksum: 5920d77e1494c305e50cc8f9174d650e (MD5) Previous issue date: 2017-12-18 / Os estudos sobre os saberes que s?o adquiridos pelos professores em forma??o e como esses saberes se articulam na atua??o docente, tem se configurado como um tema relevante nos debates sobre educa??o na contemporaneidade. Nesse contexto, considerando as bandas de m?sica como um dos espa?os onde se articulam saberes para a atua??o e forma??o do professor de m?sica, este estudo apresenta uma pesquisa realizada com tr?s maestros que atuam respectivamente em tr?s bandas de m?sica da regi?o do Alto Oeste Potiguar, com o objetivo de conhecer e refletir sobre quais saberes docentes est?o presentes na pr?tica desses maestros, como se constituem e de que forma cada maestro articula esses saberes durante a sua pr?tica pedag?gico-musical. Os estudos de Maurice Tardif (2014), Le?o e Carvalho (2016), Gauthier (2013), entre outros, em di?logo com outros autores da educa??o musical sobre o tema, fundamentam teoricamente o estudo. A metodologia utilizada tem uma abordagem qualitativa, em que foi escolhido como m?todo de pesquisa, o estudo multicaso. Os dados foram colhidos por meio de entrevistas semiestruturadas e observa??es participantes nos ensaios. Foram selecionados tr?s maestros com perfis de forma??o distintos, sendo um bacharel, um licenciado e um autodidata, atuantes, cada um, em uma das bandas de m?sica do Alto Oeste Potiguar. Foi descrito o contexto de atua??o de cada um deles e, a partir da an?lise das entrevistas, foram destacadas 06 (seis) categorias para an?lise: saberes musicais; rela??es interpessoais; experi?ncia com performance de mais de um instrumento musical; import?ncia das iniciativas autodidatas; experi?ncia em diferentes grupos musicais; e experi?ncia de lideran?a de grupos musicais. Ap?s a an?lises dos dados, o estudo indica uma reflex?o sobre a import?ncia de se propor uma forma??o inicial que contribua com a forma??o de profissionais para atuar no contexto das bandas de m?sica, tendo em vista que s?o espa?os bastante s?lidos de atua??o profissional e poder?o contribuir para uma reflex?o sobre os saberes necess?rios ao professor de m?sica para atuar nesse espa?o de ensino. A partir do exposto foi poss?vel afirmar que os maestros aprendem tamb?m durante o fazer pedag?gico-musical, em que a partir da intera??o com os alunos da banda, bem como com seus pares e atrav?s de experi?ncias nos diversos contextos profissionais pelos quais passaram, puderam adquirir saberes e mobiliz?-los para o desenvolvimento de um processo de ensino-aprendizagem musical dentro de cada banda de m?sica. / The studies on the knowledges that are acquired by teachers in formation and how these knowledges are articulated in the teaching performance, has been configured as a relevant subject in the debates about education in the contemporaneity. In this context, considering the music bands as one of the spaces where they articulate knowledge for the performance and training of the music teacher this study presents a research carried out with three conductors, respectively, in three bands from the region of the Upper West Potiguar, with the objective of knowing and reflecting on the teacher's knowledge in the practice of these teachers, how they are constituted and how each teacher articulates these knowledge during their pedagogical-musical practice. The studies of Maurice Tardif (2014), Le?o e Carvalho (2016), Gauthier (2013), and others, in dialogue with other authors of musical education on the subject, theoretically base the study. The methodology used has a qualitative approach, in which was chosen as research method, the multicaso study. The data were collected through semi-structured interviews and participant observations on essays. Three conductors with distinct training profiles were selected, being a bachelor, a licensee and a self-taught, each one of them in one of the bands of music of the Upper West Potiguar. It was described the context of action of each of them and, from the analysis of the interviews, six (6) categories were highlighted for analysis: musical knowledge; interpersonal relationships; experience with performance of more than one musical instrument; importance of self-taught initiatives; experience in different musical groups; and leadership experience of musical groups. After analyzing the data, the study indicates a reflection on the importance of proposing an initial training that contributes to the training of professionals to act in the context of the music bands, considering that they are very solid spaces of professional performance and may contribute to a reflection on the knowledge needed by the music teacher to work in this teaching space. From the above it was possible to affirm that the teachers also learn during the pedagogical-musical fase, in which from the interaction with the students of the band as well as with their peers and through experiences in the different professional contexts through which they passed were able to acquire knowledge and mobilize them for the development of a musical teaching-learning process within each music band.