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Exegesis and eisegesis the choral composer as scriptural interpreter with special reference to settings of the Magnificat /Dougherty, Michael P. January 1900 (has links)
Dissertation (D.M.A.)--The University of North Carolina at Greensboro, 2008. / Directed by Welborn Young; submitted to the School of Music. Title from PDF t.p. (viewed Feb. 2, 2010). Includes bibliographical references (p. 94-97).
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The polyphonic magnificat in Renaissance Spain : style and context /Sargent, Joseph Matthew. January 1900 (has links)
Thesis (Ph. D.)--Department of Music, Stanford University, 2009. / Includes bibliographical references (leaves 318-337).
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Geschiedenis van het meerstemmig magnificat tot omstreeks 1525Maas, Christian J. January 1967 (has links)
Thesis--Amsterdam. / "Bibliographie": p. [197]-205.
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The origins of cantus firmus used in the English Magnificat from the fourteenth to the seventeenth centuries /Eaton, Frank Allen. January 1987 (has links)
Thesis (D. Mus. Arts.)--University of Washington, 1987. / Vita. Includes bibliographical references (leaves [352]-363). Also available electronically.
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Untersuchungen zur Magnificat-Komposition des 15. JahrhundertsMeinholz, Josef, January 1900 (has links)
Inaug.-Diss.--Cologne. / Vita. "Notenbeispiele": p. [227]-[264]. Bibliography: [221-225].
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Magnificat for mezzo-soprano and chamber ensemble /Stanbridge, Bryan Scott. January 2006 (has links)
Thesis (M.M.)--Bowling Green State University, 2006. / Document formatted into pages; contains 1 score (viii, 30 p.)
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A recital / Festival magnificatLangholz, Paul W, Pinkham, Daniel. Festival magnificat. January 2010 (has links)
Title from accompanying document. / Digitized by Kansas Correctional Industries
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