Thomas Mann's novel Der Erwahlte explores the concepts of sin, contrition, and eventual redemption through the life of the sinful pope Gregorius. The concept of enormity provides the link between the seemingly esoteric subject of his novel and the history of Germany under Nazi rule. He draws a direct, if subtle, parallel between German fascism and Gregorius' sins. The hero's sin, his penance, and his redemption are all overwhelming, thus providing the connection with German national character and history as understood by Mann. By examining the deep structure of the novel's imagery and plot in conjunction with Mann's political speeches, this thesis reveals these underlying similarities, and the essentially positive message which the novel finally conveys. The use of language and the Gregorius legend to express Mann's deep-rooted belief in the fundamental unity of European culture is also examined.

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