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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 3 of 3 (0.046 seconds)Spelling suggestions: "subject:"marenzio, uca,"" "subject:"marenzio, luca,""
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The sacred style of Luca Marenzio as represented in his four-part motetsWade, Walter Wilson, Marenzio, Luca, January 1958 (has links)
Thesis (Ph. D.)--Northwestern University, 1958. / Vita. "This study has been limited to the First Book of Motets for Four Voices"--V. 1, leaf 6. Vol. 2: "First book of motets for voices [score] by Luca Marenzio." Includes bibliographical references (v. 1, leaves 77-78).
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Upgrading Marenzio's models : genre hierarchy and the parodies of Thomas MorleyVelle, Aimee. January 2007 (has links)
This study details the role of genre enhancement and genre upgrading in four parodies by Thomas Morley. These four parodies, first published in Morley's The First Book of Balletts to Five Voices (1595), are based on villanelles from Luca Marenzio's collection I cinque libri di Canzonette, Villanelle et arie alla Napolitana a tre voci (1584-1585). Through the application of specific techniques, Morley transformed Marenzio's villanelles into parodies that, according to Morley's treatise A Plain and Easy Introduction to Practical Music, are higher in the genre hierarchy than their respective models. Comparative analyses will reveal the techniques of genre enhancement and genre upgrading at work in Morley's parodies.
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Upgrading Marenzio's models : genre hierarchy and the parodies of Thomas MorleyVelle, Aimee. January 2007 (has links)
No description available.
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