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Coloring Their World: Americans and Decorative Color in the Nineteenth CenturyWright, Kelly F. 10 October 2014 (has links)
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The Most Commercial of People: Cincinnati, the Civil War, and the Rise of Industrial Capitalism, 1861-1865Terry, Clinton W. 21 May 2002 (has links)
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"The Extraordinary Force and Success of Individual Enterprise," The Triumph of Liberalism in Wisconsin, 1846-1860Herman, John R. 27 June 2014 (has links)
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Sentimental Literature as Social Criticism:Susan Warner, Harriet Beecher Stowe, and Emma D.E.N. Southworth as Active Agents, Negotiating Change in the United States in the Mid-Nineteenth CenturyCann, Jenichka Sarah Elizabeth January 2013 (has links)
Detractors of sentimental literature argue that such novels are unoriginal and concerned primarily with emotions. Feminist scholars redeem the reputation of sentimental literature to an extent. At present, a multitude of approaches present sentimental authors as active agents, engaging with public issues. Building upon the scholarship of prominent feminist historians and literary critics, this thesis provides direct evidence that three female authors embrace the responsibilities of being a social critic. The Wide, Wide World (1850) by Susan Warner, Uncle Tom’s Cabin (1851) by Harriet Beecher Stowe, and The Hidden Hand (1859) by Emma D.E.N. Southworth provide unique commentaries on the separation of the private and public spheres, market revolution, and religion. Decisive differences between the authors’ opinions reveal a high degree of engagement with the public issues.
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