Thesis (Ph. D.)--Ruprecht-Karl-Universität zu Heidelberg, 1963. / Includes bibliographical references (p. [238]-256).

Thesis (Ph. D.)--Ruprecht-Karl-Universität zu Heidelberg, 1963. / Includes bibliographical references (p. [238]-256).

Texte remanié de: Th.--Lettres--Montpellier III. / Bibliogr. p. 191-203. Index.

Typescript, etc. / Digitized by Kansas Correctional Industries

This thesis is concerned with the life and poetry of Andrew Marvell as these reflect a literary and social period, 1600-1660, with quite distinctive characteristics. It is argued that Marvell led a dualistic and compartmentalised life, and that he was in this a typical figure of the age. The dualism is traced in his public career as a Civil Servant and parliamentarian, and in his private career as a poet. It is further maintained that the best poetry of Andrew Marvell derived from his years as a recluse, and the influence of the Metaphysical school of poets. His entry into public life in 1658 coincided with, and probably brought about, the termination of his private activity as a lyric poet. The thesis is divided into three chapters, which describe respectively the major events of the life, the influence on Marvell's poetry of contemporary poets, and the qualities and techniques of many of the major lyrics. The conclusions arrived at in the first section are only of the most generalised kind, since detailed information about Marvell is scanty, but it is possible to establish correlations between phases in the life and the writing of certain kinds of lyric. In the second section a good many verbal parallels between poems by Marvell and poems by Cowley and Lovelace are pointed out, but far the most important objective of this section is the description of the qualities of metaphysical poetry and the demonstration of the relevance of these to an understanding of Marvell's lyrics. In addition, it is maintained that it is only in the context of metaphysical poetry that Marvell's achievment can accurately be estimated. The final section yields no conclusions in the ordinary sense, but provides the detailed study of some lyrics and some of the longer poems which justifies the final judgment that, in some lyrics, Marvell demonstrates the qualities of technical skill, complexity of thought, and personal reinterpretation of the lyric tradition which are usually considered the hallmarks of a major poet, but that many poems in the canon fall far below the standard of the best lyrics. / Arts, Faculty of / English, Department of / Graduate

Thesis (MA)--University of Stellenbosch, 2007. / Bibliography. Also available via the Internet.

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This thesis examines the treatment of the theme of justice in the works, both poetry and prose, of Andrew Marvell and, in a final chapter, the justice of certain aspects of his behaviour. In order to do this, it seeks to locate particular works in the context of contemporary debates or discussions as to ancient rights, the ancient constitution (and competing theories as to the king's power) and the disagreement between Hugo Grotius and John Selden on the subject of the legal status of the sea and, more generally, the laws of nature and nations. !e discussion of the justice of his behaviour offers a reinterpretation of the Chancery pleadings and other records in a cluster of cases arising after Marvell's death out of the collapse of a bank in which his friend, Edward Nelthorpe, was a partner. It is argued that these records have, up to now, been misunderstood. The thesis concludes that Marvell's work evinces an ambiguity about justice, with the poetry tending to give voice to his scepticism, while the sense that justice might be at least partly achievable is more likely to appear in the prose works. The conclusion as to his actions is also a matter of some ambivalence: while the evidence does not show that he colluded in a fraud on the bank's creditors, the suspicion that he behaved badly towards his wife is complicated by a lingering uncertainty that he had, in fact, married.