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An analytical model of the determinants and outcomes of nation brandingSun, Qin. Paswan, Audhesh, January 2009 (has links)
Thesis (Ph. D.)--University of North Texas, Dec., 2009. / Title from title page display. Includes bibliographical references.
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Televising urbanity : narratives of "nation" and city life /Vanderburgh, Jennifer. January 2005 (has links)
Thesis (Ph.D.)--York University, 2005. Graduate Programme in Communication and Culture. / Typescript. Includes bibliographical references (leaves 262-272). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR19771
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An imagined community of global Chinese television and immigrant in the case of Phoenix TV documentary Chinatown.January 2008 (has links)
Han, Le. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 121-123). / Abstracts in English and Chinese. / Chapter Chapter 1 --- Introduction --- p.1 / Chapter Chapter 2 --- Literature Review --- p.9 / Chapter Chapter 3 --- Methodology --- p.32 / Chapter Chapter 4 --- Themes of Being Chinese in Documentary Texts --- p.41 / Chapter Chapter 5 --- The Construction of Home and Nation in Transnational Settings --- p.69 / Chapter Chapter 6 --- Constructing an Imagined Global Chinese Community --- p.82 / Chapter Chapter 7 --- Concluding Remarks --- p.101 / References --- p.121
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Transplanting korean wave into china's reality television under the statist nationalismHo, Bonnie Hoi Ting 09 May 2018 (has links)
In recent years, many reality television formats have been transplanted into China and have become top-ranked shows under the influence of the Korean Wave. In order to unravel the complexity of propaganda in popular culture, this thesis focuses on analyzing China's adaptation of transnational television formats in central and private stations. I excavate how China tries to unify the nation and build the party-state's hegemonic status by way of disseminating political messages in popular media, as well as the state's governance of the influences of globalization and foreign ideas in domestic productions. I also put forth that foreign ideas conveyed in recent formats shed light on issues in China such as class and ethnicity, audiences' ambivalent reception of propagandist programs, and the exportation of China's formats. The genre of reality TV, including production and reception, discloses tension and collaboration between state and commercial TV, the local and the global, and within the Chinese community.
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Branding "nation brand"Outhavong, Sounthaly, 1972- 29 August 2008 (has links)
As a consequence of global interaction, real time news availability, consumer generated media and content, countries have become increasingly aware of their image internally and internationally. In response to this awareness, some countries have adopted advertising and marketing practices to manage their country image. A review of the literature shows that there is much room for growth on nation brand research. For example, contemporary empirical research on national character is limited in that the research tends to incorporate human personality traits to define the brand or character of countries. Since the research tradition in national character roots itself in the early to mid-20th century around the same time that human personality research is beginning to flourish, there is no surprise for the influence of using human personality traits to describe nations. Unfortunately, a nation brand is more complex than what can be explained by human personality traits. Another example of limitations in the literature are the many case studies of branding nations that do not provide sufficient empirical methods to analyze the nation brands. Contributing to this problem is the lack of consistent usage of a standard term to refer to the concept of a nation brand. To this end, this dissertation first makes an argument as to why nation brand is the appropriate name for this stream of research. Thereafter, the research and approach presented provides a definition of the nation brand hypothetical construct and investigates the underlying dimensions of that construct. This dissertation is comprised of three studies using one survey in each of them. The first two surveys are used to generate a list of stimulus countries and a list of country attributes that are used in the third survey. Qualitative analyses are applied in the first two surveys, and exploratory factor analysis is used in the third survey. The results show a reliable and interpretable 3-factor model. Conceding sampling issues and cautioning the reader to consider the results with care, the findings herein can serve as a springboard for future research in this area.
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Branding "nation brand"Outhavong, Sounthaly, January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2007. / Vita. Includes bibliographical references.
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The politics of images : Chinese cinema in the context of globalization /Yu, Hongmei. January 2008 (has links)
Thesis (Ph. D.)--University of Oregon, 2008. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 306-318). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
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Migration, media flows and the Shan nation in ThailandJirattikorn, Amporn. January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2008. / Vita. Includes bibliographical references.
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Blood, birth, imagination ethnic nationalism and South Korean popular culture /Blitz, Brian. January 2009 (has links)
Thesis (M.A.)--Bowling Green State University, 2009. / Document formatted into pages; contains ix, 122 p. : ill. Includes bibliographical references.
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Cultural nation versus political state : media construction of national identity : the case of China DailyWang, Yue 01 January 2006 (has links)
No description available.
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