This research examines specific instances in the development of New Media in South African art from 1980 to the present. I focus on the apparent discrepancy between de facto practices in South African art today and the 'official' representation of this art in local art museums. Preliminary research indicated that despite the manifest increase of New Media works in local artistic production, as well as exhibitions devoted to New Media work the last decade, this tendency is not adequately reflected in the public collections (and display) of local art museums. In my research I investigate the status of New Media in public art collections and the reasons for this apparent discrepancy. Significant parallels exist between the development of New Media and that of Photography in relation to their position in the field of artistic practice. I track the development of New Media with regard to international artistic practice and local developments, and pinpoint financial, logistical and infrastructural issues mentioned in curatorial circles. Additionally, I investigate the problems of New Media with regard to the definition of art as a unique material object, and curatorial attitudes within the public institutions. Three case studies, concerning the work of William Kentridge, Nathaniel Stern, and the Trinity Session span a historical, progressive and currently successful scenario regarding artistic production and display. The practical component of this research comprised two projects: an art performance event and an exhibition of three video works (one in installation form), a series of digital prints on etching paper and a sculptural installation. I have applied principles in international production and display of New Media works to the presentation of my own installations, especially regarding the editioning and valuation of digital prints and Video DVD works.

Thesis (M.A. (Organisational Psychology))--University of the Witwatersrand, Faculty of Humanities, School of Human and Community Development / Abstract The following research report aimed to determine how the South African print media socially constructs minibus taxi drivers. In order to achieve this aim, a media survey of South African newspaper articles reporting on minibus taxi drivers in the year 2014 was conducted. The collected articles revealed the print media’s social constructions of minibus taxi drivers. The media is a very powerful entity which has the ability to create and shift the perceptions of those who read their reports. It is through this ability, that the media portray the current social relations existing in post-Apartheid South Africa. The researcher was able to determine these different social constructions through the use of a Critical Discourse Analysis (CDA) methodology. This methodology allowed the reader to look beyond the words the journalists used, and rather to focus on the implications of these words as well as what had not been explicitly mentioned. This research found that the minibus taxi driver was socially constructed using three discourses: ‘The Bad Citizen’, ‘The Victim’ and ‘The Good Citizen’. This research provides the platform for future research into the perceptions of the minibus taxi and the minibus taxi industry. Understanding these perceptions is vital in transforming the transportation industry of South Africa. Key words: Minibus taxi drivers; Minibus taxi industry; Social constructions, South African print media; Newspaper articles, 2014. / GR2016

M.A. (Communication) / The daily press in several Western countries is subjected to certain market, psychological and economic inspired changes that threaten its very existence. This assumption is manifested in the fact that the total circulation of daily newspapers in most Western countries does not seem to be keeping pace with the ever increasing growth in population. In fact, in the last ten to fifteen years, there has been a decline in the circulation figures of some daily newspapers in the West resulting in many closures. For example, in South Africa, more daily newspapers were sold in 1975 than in 1985. This study attempts to analyse the crisis facing the present day daily press, with a more pertinent emphasis on the daily press in South Africa. Several factors that gave rise to the said crisis are identified and expounded on. This was done from the supposition that there are certain factors threatening the function, content and structure of the daily press. In the first instance,"the study is based on the uses and gratification theory, and secondly, on the agenda-setting theory. For the purposes of this dissertation these two theories are combined and used as such. The factors identified as having a profound influence on the daily press are inter alia: alienation and resistance, information overload, the emergence of a vibrant local press and free sheets, the electronic media, and the pertinent financial aspects...

The citizens of a state make sense of political parties from what is communicated about the parties as well as how that message is communicated. The use of social media, as a campaign communication vehicle, by political parties and voters is increasing, which brings rise to the need to examine the role of social media in South African politics. This study, which is a necessary exploration of political communication in South Africa, particularly on social media post-1994, looks at the scope of political communication on social media pre and post the 2014 elections in South Africa. Through a content analysis, this study analyses the communication messages of political parties on Twitter and the public‟s response to those messages. Furthermore, drawing from the theories of Framing and Agenda setting, this study explores how issues are framed on social media as well as the agenda setting role of social media. The study also identifies the issues that present themselves in political communication through social media in South Africa, and proposes ways in which the political parties could campaign more compellingly and effectively on social media.

This study examines the extent to which feminism has been appropriated by the consumer culture. As the relationship between consumerism and patriarchy continues to dominate global economic and social practices, this appropriation points to a denial of the social and political importance of the feminist movement. An acknowledgement of our own complicity in the perpetuation of a sexist, racist and classist ideology – along with an understanding of the complicity of the media – is crucial in explaining relations of domination within our society (Thompson 1990). A study of television advertising practice allows us to “explore meaning as a social product, enmeshed in webs of power” (Jordan and Wheedon 1995:543). Consumer ‘freedom’ is the compulsory freedom (Slater 1997), as we buy as many symbols as products. This study shows that for all the ‘strides’ feminism has made, media images of women are largely traditional, prescriptive (although an ironic distance is often implied) or overtly sexualised. Feminism is never mentioned, as women’s gains are presented as ahistorical in a ‘post-feminist’ world. Third wave feminism is an attempt to embrace all feminisms and feminists, working to inject some substance and truth behind advertising’s feminist veneer.

Development in South Africa at present is at a crossroads; it could become injected with new energy or it could collapse. The presence of foreigners, especially those from Africa is in contention. Some argue that they help the economy whilst others argue they are a hindrance to locals and their employment worth. The “truth” regarding these may not be immediately recognisable and thus open to questioning depending on perception. The press plays a large role in these perceptions and has been criticised for the way it covers issues of public interest. it is envisaged that this study will be a useful contribution to the limited body of literature on xenophobia and media. The purpose of the study is to give foundation to the assumption that the media's constantly negative coverage of foreigner poses a very real threat to human rights as purported in South Africa‟s constitution, in addition to the economic significance, whether positive or not. This study highlights the perception that Nelson Mandela Bay residents have of foreign nationals, and whether negative reporting in the media has influenced residents' views of foreign nationals.

According to Jensen (2000:215), though we talk of the growing digital divide between rich and poor countries, Africa has shown encouraging signs that it is rapidly adopting the Internet and making innovative use of the technology. Nevertheless, the continent is still well behind other developing regions of the world in taking advantage of the information and communication revolution. The main reasons for this are the limited and expensive telecommunication infrastructure, small markets, and lack of skills and awareness. At the end of 1996, just 11 of Africa’s 54 countries had local Internet access, but by February 2000 all of the continent’s countries had access in the capital cities (Jensen 2000:215). Excluding South Africa, the number of computers permanently connected to the Internet in Africa exceeded 10,000 early in 1999 (Jensen 2000:215). By January 2000, the total had increased to about 25,000, which means Africa, with an estimated population of 780 million people, has about as many Internet-connected computers (hosts) as Latvia, which only has a population of 2.5 million (Jensen 2000:215). Measuring the actual number of Internet users is difficult, but figures for the number of dial-up accounts supplied by Internet service providers (ISPs) show that Africa has more than 500,000 subscribers (Jensen 2000:215). Each computer with an Internet or e-mail connection supports an average of three users, a recent study by the UN Economic Commission for Africa (ECA) has found (Jensen 2000:215). This puts current estimates of the number of African Internet users at somewhere around 1.5 million. Most are in South Africa with approximately 1 million (Jensen 2000:215). Apart from the widespread use of Internet for business and entertainment purposes, social networking sites are becoming widely popular in South Africa. Although there has been little academic research on social networking sites in South Africa, there have been a few articles on websites, newspapers, and magazines that have touched on this phenomenon. Social networking sites, particularly Facebook, have become very popular among the adult internet user population, as both business and private applications. BMW South Africa, for example, has a Facebook page where video posts of recent car models and photos of cars are placed. The Facebook page also has a link to the company’s website (www.bmw.co.za) on the profile which takes a user straight to the commercial website. FM Tech (www.fmtech.co.za) is technology industry news and opinion website edited by Duncan McLeod, associate editor at the Financial Mail, South Africa’s top-selling and best-read weekly business, technology and current affairs magazine. McLeod’s article, What SA Internet users searched for in 2008, revealed that “Facebook”, “Cape Town” and “games” are the terms that South African Internet users searched for most often in 2008. Farber (2008) suggests that this is according to the results of US Web search giant Google’s annual “Zeitgeist” survey of the top searches worldwide. Farber also includes the year’s list of fastest-rising search terms which showed an enormous interest in international social networking sites. 1.2 Articles from popular media The following four popular articles describe the nature of social networking sites and its influence on South African users. Article 1: Cathryn Reece (2007) wrote an article entitled Facebook fever grips SA. “Cape Town - South Africans have embraced the internet social networking revolution, with over 50 000 new users signing on to the local Facebook network. The Facebook "South Africa" network currently has over 87 000 members - up from 35 000 in May. When a user registers on the site, they are given a blank profile page which they can update with their personal information and are encouraged to join a network. Members can then search the site for their friends and link up to each other, re-creating their social circle on the internet.

Submitted in fulfillment of the requirements for the degree: Master of Management Sciences: Marketing, Department of Marketing and Retail Management, Durban University of Technology, Durban, South Africa, 2016. / Social media is increasingly playing an important role in promoting tourism. The SAT Strategy (2013: 12) suggests that the opportunities in the tourism industry are so numerous but are not yet fully exploited where more marketing is needed to create more awareness. Leung, Law, Hoof, and Huhalis (2013: 5) add that travellers have widely adopted social media in order to search for information, organise, share and annotate their experiences and stories through micro blogs and blogs, online communities, media sharing sites, and other tools collaboratively. Tourism marketers are also considerably using social media to engage with actual and potential tourists throughout the decision making journey (Hudson and Thal 2013: 157). According to Hanekom (2015: 1) tourism is regarded as a critical component on the National Development Plan of South Africa because of its capacity to spur growth across the wider economy and create jobs. There is a need for ongoing efforts to promote the tourism industry for it to remain competitive and continue contributing to the welfare of the people. The aim of this study is to determine the influence of social media in promoting tourism business activities in Durban, South Africa. The primary objective of the research is to examine the value of social media in promoting tourism in Durban. Durban is regarded as the leading tourism destination in South Africa and is globally marketed by an official marketing unit known as Durban Tourism-a part of the eThekwini Municipality (Durban Tourism 2012.4). The study followed a quantitative research method in order to attain the set objectives of the study. Non-probability sampling technique was employed in recruiting the participants. Convenience and purposive sampling techniques were used to generate the sample population in this study. The target population for the study were all the tourists that visited the Durban tourist destinations. The researcher managed to secure a 90% response rate as 272 questionnaires out of 300 were collected. A structured self-administered questionnaire with 42 questions was used in the survey that was conducted to obtain primary data. The study used both descriptive and inferential statistics. Statistical Package for Social Scientists (SPSS) version 23.0 was used to analyse the data. The results suggest that social media is of strategic importance in promoting tourism in Durban. Theorists in the literature review highlight that the influence of social media is more pervasive and compelling than conventional mass media because of its ability to influence a larger number of people, the ability to deliver rich information, and the minimal effort required from individuals to make influence attempts (Guo (2014: 3). The majority of tourists indicated that they are active on social media platforms of which, WhatsApp and Facebook had the highest numbers of users. The study also revealed that social media is not an optional extra in the tourism industry and suggests that, tourism companies, like any other company, must participate on Twitter, Facebook, MySpace, and other social media sites in order to succeed in today’s highly competitive business environment (Kaplan and Haenlein 2010:62). The study recommended that tourism authorities must encourage South Africans to visit their own country, adopt and integrate new social media applications, use social media to create awareness of the positive transformations that have taken place in the city, and offer more secure online holiday-purchase provisions. The study recommends further research to be undertaken on the influence of specific social media sites to allow more understanding and use of appropriate social media platforms by marketing practitioners. / M

In this study the theatre as staged performance and as text was used as exploratory and discursive tools to investigate the negotiation of identities. The aim was to explore this theme by examining the responses to four popular Coloured identity-related staged performances / Marc Lottering's &quot / Crash&quot / and &quot / From the Cape Flats with Love&quot / , as well as Petersen, Isaacs and Reisenhoffer's &quot / Joe Barber&quot / and &quot / Suip&quot / . These works, both as performance and as text, was used to investigate the way stereotypical representations of Coloured identities are played with, subverted or negotiated in performance.

Thesis is submitted in partial fulfilment for the degree of Master of Architecture (Professional) to the Faculty of Engineering and the Built Environment, School of Architecture and Planning, at the University of the Witwatersrand, Johannesburg, 2017 / This research report is to investigate the physical realm of online content creation as well as the effects content creation and social media has in a South African context. The objective of this research report is to identify the areas in which Architecture can better support the new generation of online content developers. With the fast paced development of the Internet and digital technology, Architecture needs to form new ideologies, typologies and tectonics in order to stay relevant. A space that’s is the pivoting point between two worlds: online and offline. The result of this study is to create a new typology to fit within the Internet industry within South Africa and to be able to leapfrog the country and it’s specific design site in Braamfontein, Johannesburg, into the Internet territory. A space is needed that will be the intersection of the physical and the online world, a space that becomes a connection node with a presence in both worlds. The Content Creator Hub, which is an architectural space that not only facilitates the creation of online content but also the sharing of skills, collaborative efforts, exposure to business practises, business people and business opportunities, access to tools and equipment as well as access to a conducive space. The formation of an actual place where a new form of creative artists exist and are able to create, learn, share, connect, collaborate and help innovate. Furthermore, there is an opportunity to take the philosophical ideas and approaches of The Content Creator Hub to implement them into an urban scheme and in a Southern African context. Architecture plays an important role not only by generating content but also by accelerating the action. / MT2017