Fallists belong to a constellation of radical student activist movements that pledge to disturb and reimagine South African society. Rather than restricting themselves to coordinated forms of collective action, Fallists’ advance their “revolution-as-becoming” within a context of everyday resistance (Haynes & Prakash, 1991; Molefe, 2015). In this dissertation, I propose that Fallists form an “emerging networked counterpublic” made up of individual activists that enact everyday forms of resistance on Twitter (Jackson & Foucault Welles, 2016:399). This dissertation explores the use of Twitter by a microblogger who has emerged organically as a “crowdsourced elite” among Fallists (Papacharissi & de Fatima Oliveira, 2012). I contend that this microblogger exemplifies the repertoires of communication and resistance that pervade within Fallist networks on Twitter (Jackson & Foucault Welles, 2016). The microblogger is identified through methods of observation and social network analysis (SNA). “#whitetip,” a Twitter hashtag network that exemplifies Fallist communication and resistance, informs the interpretive content analysis that follows. This analysis is conducted on the tweets that the microblogger broadcast between 1 April and 30 September 2016. Tweets are categorised according to “evaluative frames” that emerged inductively during the course of analysis. I find that “resentment,” “pride and care,” and “play” made up the vast majority of evaluative frames. The microblogger employs the platform in a manner that disturbs dominant understandings of public sphere communication: the microblogger’s tweets are evaluative rather than deliberative, and assert a marginal, embodied subjectivity (Papacharissi, 2014; Warner, 2002).

The Streetscapes Project is a photographic and journalistic documentation of ten street-based people's stories from Cape Town, South Africa. The subjects of the project are employed by Khulisa Social Solutions, a non-profit organisation (NPO) that adopts a systemic approach to breaking the cycle of crime and poverty. Streetscapes falls under two of the NPO's eleven programmes, i.e. the offender rehabilitation & reintegration programme and the diversion programme, and includes five social enterprises with the urban garden project in Roeland Street, Cape Town, being one of it. Through narratives and research this project shows how street-based people are highly motivated to work and rebuild their lives, and that having a job means more than simply earning an income to them – it provides them with self-worth, dignity and a source of hope. Beyond the documentation of their personal stories the project also explores the larger structural and systemic barriers surrounding the broader issue of homelessness in the city, including access to shelter services, among others. Ultimately, this project aims to debunk stereotypes about street-based people and enlighten the public about the challenges they face when living on the streets.