This study is an exploration of everyday photographic practice and of the places that photographers visit and inhabit offline and online. It discusses the role of movement, the senses and repetition in taking photographs. Ultimately it is about photographers and their photographic routines and habits. Since the advent of photography, numerous texts on the subject have typically focused on photographs as objects. This trend has continued into the digital age, with academic writing firmly focusing on image culture rather than considering new issues relating to online practice. Although various technological innovations have given the photographer flexibility as to how and what they do with their images, the contention of this thesis is that analogue routines have been mostly transposed into the digital age. Nevertheless, there remains a lack of empirical enquiry into what photographers actually do within online spaces. This study is one of the first to address this knowledge gap. Taking a unique approach to the study of photography, it draws upon work in various fields, including phenomenology, social anthropology, human geography and sensory ethnography, to produce an innovative conceptual and methodological approach. This approach is applied in the field to gain an in-depth understanding of what ‘doing’ photography actually entails. An in-depth analysis of interviews with and observations of North East photographers reveals how they engage with everyday life in a distinctive way. Habitually carrying a camera allows them to notice details that most would ignore. Online and offline movements often become entangled, and when photographers explore Flickr there is a clear synergy with the way in which they explore their local city space. This research is a call to others to give serious consideration to online and offline photography practices, and an attempt to stimulate new discussions about what it means to be a photographer in the world.