At head of title: Ministero per i beni culturali e ambientali, Biblioteca riccardiana. XII Settimana per i beni culturali. / Datum laatste controle: 09-01-08. Includes bibliographical references (p. 95-103) and indexes.

xii, 112 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / The Palazzo Medici was a site of significant social and political representation for the Medici. Access to much of the interior was limited, ostensibly, to the family. In republican Florence, however, visitors were a crucial component in the maintenance of a political faction. Consequently, the "private" spaces of the Palazzo Medici were designed and decorated with guests in mind. Visitor accounts reveal that the path and destination of each visitor differed according to his status and significance to the family. The common citizen waited, sometimes for great lengths, in the courtyard, taking in the anti-tyrannical message of the space. The privileged guest, who had more to provide the Medici, was given access to the more private spaces of the residence. Surrounded by art and architecture that demonstrated the faith, education, and wealth of the Medici, he was assured that his support of the family was beneficial to his own pursuits. / Committee in charge: James Harper, Chairperson; Jim Tice, Member; Jeff Hurwit, Member

This dissertation analyzes the dates and artistic provenance of key architectural and decorative projects commissioned by the Pucci family for their townhomes, villas, and palaces during the Renaissance. It identifies the family’s insistent identification with prestigious Renaissance architects and artisans as a key element in a political and social stratagem that took its cue from the humanist ethos cultivated by their political patrons, the Medici. Temporally, this study is bracketed on both ends of the Renaissance by architectural commissions related to the Pucci’s long-standing patronage of Santissima Annunziata, the most important pilgrimage church in Florence. Methodoligically, it is an archival project that relies principally on previously unknown letters, wills, payment records, inventories, and notarial documents.

This thesis explores the relations between the Druze emir Fakhr al-Din II Ma'n and three successive Medici Grand Dukes between 1605 and 1633. Eschewing traditional historiographical concerns with the origins of Lebanese nationalism and the cultural encounter between East and West, I have sought first and above all to locate relations between this powerful emir and the Court of Tuscany within the broader context of Mediterranean history. / I suggest that the actions of Fakhr al-Din and of the Medici Grand Dukes have to be understood in relation to broad, long-term trends in the economic and social history of the Mediterranean. I explore two of these trends in detail: the breakdown in commercial and diplomatic relations between Florence (and then Tuscany) and the Ottoman empire during the course of the sixteenth century; the bargaining between the Porte and provincial power-holders in the Syrian provinces in the century following the Ottoman conquest.

No description available.