The following study of history through literature uses a French text composed by and for the court of Burgundy in the mid fifteenth century: the Cent nouvelles nouvelles. It demonstrates that philological interpretation of the text has floundered when it has ignored the historical context in which the work was composed. Alongside this critique, the thesis comes to the positive conclusion that it is valuable to restore an appreciation of the benefits of historical scholarship to the discipline of philology. In the first chapter, the case is made for reclaiming the text as a historical document on the basis of its context. Recent studies, which have insisted that the historical context of the work is unimportant, are examined critically, to establish the need for a historical reappraisal of the text, beginning where the pioneer archiviste-palaeographe Pierre Champion left off. In the second chapter, we see that both the traditional and more recent assumptions about the text, its authorship, date, and place in the canon of western European literature have to be reassessed. Through close study of manuscript and printed text, the textual tradition is asserted, and the Cent nouvelles nouvelles is restored to its historical milieu. Antecedents and analogue texts are examined in the context of the moral vision of the work as one which is similar to the Decameron's, though it involves an unrecorded deliberative process, which allows it to be considered as more of an aesthetic unity than philologists have recognised. The question of the Nouvelles' relationship to the contemporary literary context is examined in detail, particularly through an analysis of the issues of fashions in literary style, and the interplay of courtly with popular culture. This section is partly based on archival work. The third chapter, which is heavily based on chronicles and unpublished archival material, moves from the world to the text, to consider the men who made the text, and for whom the text was made. The immediate political context in which the work was conceived is shown to have a bearing on its form, and the raconteurs are replaced in their courtly milieu. We see that they were the closest to the duke, serving him in his household, his political network, his armies, his ideological aspirations, and his diplomacy. The network of sociability which underpinned the text made the Cent nouvelles nouvelles what it is: a Burgundian work from a particular time and place. Lastly, this chapter considers the raconteurs' contributions to the collection as extensions of their personalities, and as extensions of their careers of service, giving two particular examples in detail. The fourth chapter moves from the text to the world using the literature to throw light on the circumstances under which it was created. A sequence of individual stories (Nouvelles 2, 19, 53, 60, 63, 78, 83) are examined in their historical context, and explained in terms of the meaning they had when they were first recounted. The raconteurs' historical backgrounds, established in the previous chapter, prove invaluable in unlocking the particular significance of motifs, plots and jokes in the stories. We also see that philological appraisals which lack historical awareness are unable to appreciate the texts on their own terms. Nouvelles which have a basis in historical fact are considered alongside those which form part of a longstanding textual tradition. Both sorts of texts are shown to have a Burgundian specificity - a historical accent. The fifth chapter argues, on the basis of what has preceded it, that the method of restoring literary texts to a historical milieu is universal, even though not all texts may be as susceptible to such detailed analysis which was brought to bear on the Cent nouvelles nouvelles. It is contended that the evidential value of literature as historical document is more specific than it is general. Moreover, it is vital to ascertain what the literary text is most informative about, as well as what its limitations are as historical evidence. We see how postmodern ideas have taken root in philological theory. Cutting against postmodern theories about textuality and evidence, which have insisted that the historical context of the work is not merely unimportani but that it is irrelevant and unascertainahle, the conclusion argues for a return to the practice of setting texts in context. Appendix 1 deals with the codicology of MS Hunter 252, and compares the Verard text. Appendix 2 presents transcriptions of Nouvelle 63 from the manuscript, and two early printed versions. Appendix 3 demonstrates Verard's reuse of the woodcuts with which he decorated the Cent nouvelles nouvelles and emphasises that the commercial nature of his business impacted on aesthetic concerns. Appendix 4 deals with the question of the raconteurs that are difficult to identify, particularly the lords of Beauvoir and Villiers, and Caron.

The cult of St Patrick in the medieval period has been largely neglected in modern scholarship, which has predominantly tended to favour analysis of the saint’s own fifth-century writings; the troublesome area of fixing exact dates for his fifth-century career and context; the seventh-century Patrician vitae in the context of political rivalries between Armagh, Kildare and Iona; and Patrick’s status as an icon of modern Irish identity. My thesis represents the first full-length study of Patrick’s relic cult between the seventh and the late twelfth centuries by primarily concentrating on the evidence from his various Latin and Irish Lives belonging to this period. Each of the Lives of Patrick provide us a lens through which we can observe a vibrant and diverse array of Patrician relics during our period, many of which survive only in these texts; however, these Lives also act like mirrors of the historical realities in which they were conceived. By studying the Lives over a broad chronological period we gain invaluable information on several key aspects: why authors have chosen or not to retain or omit certain stories featuring relics; whether the numerous and various miracles and functions that these relics perform in the narratives indicate the type of role they had in and their value to wider society; if there is a growth in the number of Patrician relics in the texts at any given point in our period. By placing these aspects in their historical contexts, this thesis musters a better understanding of the broader ecclesiastical and secular political fortunes in Ireland and elsewhere that helped shape the development of Patrick’s cult as we know of it today.

This thesis explores the infrastructure and mechanics of Latin Christian pilgrimage to the Holy Land during the twelfth and thirteenth centuries. Jerusalem was an important religious site for Christians, though it did not gain large-scale popularity among pilgrims until the capture of the city by the crusaders in 1099. Despite the vast and ever expanding quantity of literature on the topic of medieval pilgrimage in Europe and to the Holy Land, the infrastructure and mechanisms for pilgrims has received little attention. This thesis addresses the following core questions: How did pilgrims maintain themselves en route to the Holy Land in the twelfth and thirteenth centuries? How important were pilgrimage infrastructure and mechanisms for pilgrims? How did the infrastructure develop over the course of the twelfth and thirteenth centuries? What impact did the changing political situation over the course of the crusades have on this network? Medieval pilgrim and travel narratives, canon law, cartularies, charters and other legal documents, chronicles, exemplars, hagiography, liturgical texts, and papal records are analysed to answer these questions. The thesis follows the pilgrim’s journey to the Holy Land, starting with mechanisms of protection associated with preparations for pilgrimage, continuing on to investigate those who provided infrastructure and mechanisms to pilgrims along the way, before focusing on infrastructure within the Holy Land itself. It demonstrates the scale of the infrastructure, showing the intertwining nature of real world mechanisms of protections with those of a spiritual kind, and how everyone from every level of society could participate and benefit from providing aid to pilgrims. This network is ultimately reflective of concepts such as poverty and charity associated with twelfth-century western Christian spirituality. Indeed, charity was at the heart of pilgrimage infrastructure.

This thesis offers the first extended study of British Library, MS Harley 1766 (c. 1450-60), an illustrated and much abridged version of Lydgate’s Fall of Princes (c. 1431-1438/39). Offering a holistic analysis of text, image, and paratextual features, it argues that the manuscript was the product of a Lydgate specialist and a team of associated artisans operating within Bury St. Edmunds during the 1450s and 1460s. Individual chapters explore the manuscript’s concern with promoting both Lydgate and Bury and identify a distinct rhetoric of idealised and stereotyped kings and queens, developed by the rearranged text and amplified through the design of the visual scheme. This thesis reads these motifs against Yorkist propaganda which fêted Edward IV and condemned both Henry VI and his queen, Margaret of Anjou. The connection between Yorkist propagandist themes and Harley 1766 is a direct result of the probable patronage of the manuscript by the Tyrell family, an East Anglian gentry family whose names repeatedly appear on the manuscript’s flyleaves. Commissioned as a direct response to their position as supporters of a deposed regime, Harley 1766 represents a political re-envisaging of the text designed for patrons seeking to realign themselves politically and ensure their safety in Yorkist England.

This thesis examines the form and function of the miraculous as it appears in Latin narrative histories of the crusades of 1095-1204. It addresses an important scholarly lacuna by approaching crusading through the lens of the miraculous, a theme of critical importance to many historical representations of the crusades. Three core lines of analysis are pursued: how the miraculous, as the ultimate epistemological tool for the discernment of divine will, was employed by the authors of crusade narratives as a component in their rhetorical strategies; how representations of the miraculous can reflect changing contemporary attitudes towards the crusading movement; and whether the miraculous of crusade texts can mirror parallel changes to the intellectual landscape of western Europe. The importance of supernatural themes to the narrativisation of the crusades is revealed through the exploration of three thematic dichotomies: miracles and marvels; visions and dreams; and signs and augury. It will be shown that the miraculous represents a previously undervalued source for understanding how the crusades were conceptualised, represented, and memorialised in this period. Further, the findings of the thesis exemplify how crusade narratives represent rich and hitherto largely overlooked sources for the study of medieval western European intellectual culture more broadly.

The present study explores representations of the female reproductive body in medieval written sources, with an emphasis on the figurative language that was used to describe pregnancy, childbirth, menstruation, and lactation when these phenomena take place in the female body and, symbolically, in male bodies. This examination of what are herein labeled “maternal metaphors” in men, that is a comparison between a male subject and an attribute specific to women’s reproductive bodies, reveals how anatomical and physiological characteristics exclusive to the female reproductive body were used to convey descriptive meaning, and considers why and in what contexts such comparisons were made. This study looks at ancient and medieval medical writing, biblical and medieval Christian religious sources, and various other texts taken from medieval secular and popular literature, where maternal metaphors were used to describe other anatomical and physiological phenomena that were not specific to women, physical and behavioural characteristics of male subjects, and intangible qualities of divine persons. This thesis argues that the female body was the site of diverse conceptual associations in medieval medical and religious traditions, and that, as a result, it proved to be a significant source for figurative analogies that could convey similarly wide-ranging meanings. When pregnancy, childbirth, menstruation, and lactation were used metaphorically to describe male subjects, the variety of connotations that were transferred reflects the range of possible meanings; however, the complexity is not transmitted. Maternal metaphors in men convey meanings that are either good or bad, or occasionally neutral, depending on the context and subject.

The present study explores representations of the female reproductive body in medieval written sources, with an emphasis on the figurative language that was used to describe pregnancy, childbirth, menstruation, and lactation when these phenomena take place in the female body and, symbolically, in male bodies. This examination of what are herein labeled “maternal metaphors” in men, that is a comparison between a male subject and an attribute specific to women’s reproductive bodies, reveals how anatomical and physiological characteristics exclusive to the female reproductive body were used to convey descriptive meaning, and considers why and in what contexts such comparisons were made. This study looks at ancient and medieval medical writing, biblical and medieval Christian religious sources, and various other texts taken from medieval secular and popular literature, where maternal metaphors were used to describe other anatomical and physiological phenomena that were not specific to women, physical and behavioural characteristics of male subjects, and intangible qualities of divine persons. This thesis argues that the female body was the site of diverse conceptual associations in medieval medical and religious traditions, and that, as a result, it proved to be a significant source for figurative analogies that could convey similarly wide-ranging meanings. When pregnancy, childbirth, menstruation, and lactation were used metaphorically to describe male subjects, the variety of connotations that were transferred reflects the range of possible meanings; however, the complexity is not transmitted. Maternal metaphors in men convey meanings that are either good or bad, or occasionally neutral, depending on the context and subject.

This study examines the physical settings and landscape associations of open-air judicial courts in medieval Scotland. Outdoor medieval assembly practices represent an ephemeral collective human activity crucial to the understanding of medieval society. A multidisciplinary approach which utilises place-name, historical and archaeological evidence is adopted. Representative case studies are investigated and the results of geophysical and topographical survey presented. Place-names derived from Gaelic, Scots, Old Norse and English indicative of assemblies, and drawn from established studies, are brought together and supplemented by a preliminary survey of additional material. Over 200 place-names are considered. Published historical references to open-air courts relating to the 13th - 16th centuries, are examined, with 18 examples where physical settings can be confidently identified presented in detail. A diversity of open-air court settings are identified, incorporating both natural and archaeological features. Mounds are the most common archaeological setting identified with a widespread distribution which transcends historical linguistic and cultural boundaries. However, a significant number of court settings utilised natural hills, which has implications for the archaeological scrutiny of assembly places. The re-use of prehistoric features such as cairns and megalithic remains for courts is a widespread phenomenon, not restricted to royal centres. The pre-Christian cultic qualities of early historic central places are illustrated and the close association of early church sites and judicial assembly mounds in Scotland is demonstrated. Medieval judicial assembly sites in Scotland are also found in association with territorial boundaries, emphasising their role in inter-community dynamics. The historical material demonstrates a gradual decline in the use of open-air settings for courts from the 15th century onwards. This nonetheless represents significant persistence of customary court venues in Scotland during the progressive centralisation of legal process.

The focus of the thesis is the diplomatic and legal implications of the capture of ships at sea in the later Middle Ages. It challenges key assumptions in much secondary literature concerning the definition of piracy, seeking to explore several major themes relating to the legal status of shipping in periods of war or diplomatic tension in this period. The thesis draws primarily on diplomatic, legal and administrative records, largely those of English royal government, but also makes use of material relating to France, Holland and Zealand, Flanders and the Hanse. The majority of studies on this subject stress the importance of developments which occurred in the fifteenth century, yet I have found it necessary to follow the development of the law of prize, diplomatic provisions for the keeping of the sea and the use of devolved sea-keeping fleets back to the start of the thirteenth century. This thesis questions the tendency of historians to attach the term ‘piracy’, with its modern legal connotations, to a variety of actions at sea in the later Middle Ages. In the absence of a clear legislative or semantic framework a close examination of the complexity of practice surrounding the judgement of prize, the provision of restitution to injured parties, and diplomatic mechanisms designed to prevent disorder at sea, enables a more rounded picture to emerge. A detailed examination of individual cases is set within the broader conceptual framework of international, commercial and maritime law. Chapter 1 provides a study of the wartime role of devolved flees by means of a case study of Henry III’s Poitou campaigns of 1242-3. It demonstrates that private commissioned ships undertook a variety of naval roles including the transport of troops, patrolling the coast and enforcing blockades. Further, it argues that it is anachronistic to criticise private shipowners for seeking profit through attacks on enemy shipping as booty was an integral incentive in all forms of medieval warfare. Chapter 2 provides a detailed examination of the application of letters of marque, one of the principal means of obtaining redress for injuries suffered at the hands of the subject of a foreign sovereign. It demonstrates that far from being a justification for ‘piracy’ letters of marque were highly regulated legal instruments applied in the context of an internationally accepted body of customs. Chapter 3 examines the concept of neutrality and the relationship between warfare and commerce through a study of Anglo-Flemish relations during the Anglo-Scottish wars between 1305 and 1323. It argues that universal standards of neutrality did not exist in this period and that decisions on prize took place within the context of an ever-changing diplomatic background. Chapter 4 focuses on the provision of restitution once judgement had been made through an examination of a complex dispute between English merchants and the count of Hainault, Holland and Zeeland spanning the opening decades of the fourteenth century. It emphasises the ad hoc nature of restitution with a variety of means devised to compensate the injured parties and the difficult and often inconclusive process undergone by litigants against a backdrop of competing interests, both local and national. The thesis concludes that the legal process surrounding the capture of shipping was civil rather than criminal in nature. The plaintiff’s need to obtain restitution was the driving force behind such actions rather than the state’s desire to monopolise the use of violence at sea. The reliance of the English crown on devolved shipping made such a policy fiscally impractical.

This thesis reassesses the evidence for the English woman of spirit, Christina of Markyate, as a case-study for transitions in sanctity and spirituality during the twelfth century. It highlights the lack of appropriate vocabulary and models available in the 1130s and 1140s to make sense of the new manifestations of holiness that Christina embodies. By using three distinct but overlapping discourses to structure the study – social networks in religious life, sanctity and spirituality – it reflects on how the stakeholders in Christina’s texts negotiated their positions in relation to these discourses and throws light on a context of rapid discourse shift. The first section, ‘The Lady Christina: Texts and Contexts’, locates Christina, her texts, and her religious foundation at Markyate in their immediate and extended social networks. It shows that she had regional fame during her lifetime but that this was not sustained after her death. Her story is intimately tied up with the Abbey of St Albans, whose interest in their own domestic saints caused its revival in the later middle ages. Although charismatic in her own right, Christina was principally a successful institution builder and prioress, whose main concerns were domestic, rather than carving out a new kind of role for religious women in England. The second section, ‘Saint Christina: Sanctity and Learning’ addresses whether it is possible to consider Christina a saint, and what sanctity might involve when the traditional trappings of cult are missing. Christina fell between older and newer ideas about holiness, which resulted in the disrupted use of models to shape her story. Her saintly credentials were her virginity and visions, and in seeking to have these recorded Christina strategically performed and recast her external behaviour within recognisable modes of holiness. It is also possible to identify ways that Christina moved beyond existing constructions of identity and found a feminine voice in the performances of her ‘sartorial body’. The third section, ‘Ancilla Christi: Visions and Community’ looks in detail at Christina’s spirituality, using her visions to critique the separation of elite and popular modes of numinous encounter by taking her out of her primary social networks and identifying a comparative framework in contemporary trends in Western visionary culture. Visions flourish within particular domestic contexts and disciplines, and Christina enables us to glimpse a sub-culture of visionary experience in twelfth-century England, which rarely shows up in sources and is given little authority in the dominant narratives. The question of what ‘success’ might mean in these three discourses, forms a background theme to the investigation. It is used as a route into what was valued, what was normative, and what was recognisable, in the contemporary fields where Christina enjoyed networks and status, rather than as an objective measurement tool. A variety of sources and theoretical approaches are used to contextualise the fourteenth-century redactions of her vita in order to yield twelfth-century meanings. The main redaction, found in John of Tynemouth’s legendary of British saints, is a disrupted text full of hagiographic elements that can be opened up to multiple readings because of its historical situation and competing agendas. Overall this thesis concludes that Christina and many of the people with whom she came into contact recognised her visions as a mark of divine favour, and that in a climate where the primary category for receiving such distinction was sainthood, Christina was cast, not especially successfully, as a saint.