Made available in DSpace on 2014-12-17T15:06:42Z (GMT). No. of bitstreams: 1 AdrianaAA.pdf: 404717 bytes, checksum: ea7ffc2f7d3147653cd6ab9409965800 (MD5) Previous issue date: 2008-06-30 / Using Harold Bloom s methodology known as dialectical revisionism we undertake the task of misreading of Vin?cius de Moraes (1913- 1980) poems Po?tica (1950), Oper?rio em constru??o (1955), Po?tica II (1960) against Percy Bysshe Shelley (1792-1822) and his poem A Song: Men of England, suggesting that the Brazilian poet trammeled a battle with his poetic triad, in which Oper?rio em Constru??o is Vinicius s main weapon. It is suggested here that each one of Vin?cius?poem represents a step of what Bloom calls anxiety of influence . The misreading proposed confronts the themes and the imagery of the poems, arguing that Shelley and Vin?cius are similar when they approach exploitation and working class consciousness according to the Dialectic Marxism pattern, and that Vin?cius?s poem was not only inspired by Shelley s, but using one of the strategies suggested by Bloom, he corrects the ideological flaws of Shelley s poem. It is also discussed the possibility that both poems are inspired by Plato?s (428-7 a 348-7 a.C.) allegory of the cave, his concept of justice and the moral construction of the polis defended in A Rep?blica. Thus, considering the process of misreading, these five poems constitute what Bloom calls a family romance , which is characterizes the phenomenon of melancholy of creativity / Esse trabalho busca atrav?s de uma perspectiva comparativista e usando a metodologia de Harold Bloom (1930-), oferecer uma desleitura de tr?s poemas de Vin?cius de Moraes (1913-1980), a saber Po?tica (1950), Oper?rio em constru??o (1955), Po?tica II (1960) frente a Percy Bysshe Shelley (1792-1822) e seu poema A Song: Men of England (1818), sugerindo que o poeta brasileiro travou uma verdadeira luta ag?nica com a sua tr?ade po?tica, sendo Oper?rio em Constru??o a principal arma do combate. Defende-se aqui que cada poema de Vin?cius representa uma etapa do que Bloom chama de ang?stia da influ?ncia . A desleitura proposta consiste em confrontar os temas e as imagens dos poemas, argumentando que Shelley e Vin?cius assemelham-se ao abordar a explora??o e conscientiza??o oper?ria nos moldes postulados pelo marxismo dial?tico e que, sugestivamente, Vin?cius n?o s? foi inspirado por Shelley, como corrigiu as fraquezas ideol?gicas do poeta ingl?s. Apresenta-se tamb?m a possibilidade da rela??o dos poemas em quest?o com o mito da caverna de Plat?o (428-7 a 348-7 a.C.), poeta cujo conceito de justi?a e constru??o moral da polis contidos em A Rep?blica tamb?m parecem servir de inspira??o a Shelley e Vin?cius. Desse modo, considerando o processo de desleitura , os cinco poemas formam um romance familiar que ? um dos n?veis de relacionamento de poemas, caracterizando, segundo Harold Bloom, o fen?meno da melancolia da criatividade