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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Painting the impulse

Moffett, Jessica. January 2005 (has links) (PDF)
Thesis (M.F.A.)--Montana State University--Bozeman, 2005. / Typescript. Chairperson, Graduate Committee: Robert R. Smith.
2

A man ain't nothin but a man

Carlson, Eric D., January 2007 (has links)
Thesis (M.F.A.)--University of Missouri-Columbia, 2007. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 9, 2009) Includes bibliographical references.
3

Representations of the "other" in selected artworks : re-membering the black male body.

Nyoni, Vulindlela Philani Elliot. January 2006 (has links)
The depiction of blackness in the visual arts is located in the complex discourse of representation. Blackness within western visual art has been, and continues to be viewed as oppositional to representations of whiteness, and is constantly perceived as other. This dissertation analyses the process of othering and the impact of such a process on the production of artwork in southern Africa, where the representation of the black male, in particular has been subjected to racist ideology, supported by its props, stereotype, generalization and the homogenization of black experience. Using poststructuralist theories of identity construction and power, I analyse stereotype, racism and masculinity in the colonial and postcolonial periods, focussing especially on the internalization of white constructions of blackness within black visual culture. I discuss the work of Baines as representative of colonial constructions of black masculinity, the work of Bhengu, Mapplethorpe and Makhoba as illustrative of the internalization of stereotypic identities, and the work of Voyiya, Harris and Nyoni as representative of resistant discourses of representation of the black male body. I situate the latter within the contemporary debate on questions of subjectivity and agency within the Foucauldian concept of power. I have deliberately chosen works by two American artists (Mapplethorpe and Harris) in order to situate discourses of blackness within a wider context. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2006.
4

The wild man : a personal investigation /

Waugh, James. January 1997 (has links)
Thesis (M.A.) (Hons.) -- University of Western Sydney, Nepean, 1997. / Bibliography : p. 122-133.
5

Bios eudaimon : zur Ikonographie des Menschen in der rotfigurigen Vasenmalerei Unteritaliens : die Bilder aus Lukanien

Söldner, Magdalene January 2007 (has links)
Teilw. zugl.: Kiel, Univ., Habil.-Schr., 1996/97
6

The black male nude a study of John Singer Sargent's Thomas McKeller nude within the context of nineteenth-century art and culture /

Blount, Jennifer Lynn. January 2009 (has links) (PDF)
Thesis (M.A.)--University of Alabama at Birmingham, 2009. / Title from PDF title page (viewed Sept. 2, 2009). Degree earned with the cooperation of additional faculty from the University of Alabama. Includes bibliographical references (p. 88-91).

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