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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Location and loss masculinity in James Baldwin /

Brantz, Colter A. January 2007 (has links)
Thesis (M.A.)--University of Wyoming, 2007. / Title from PDF title page (viewed on Oct. 31, 2008). Includes bibliographical references (p. 98-100).
12

Blurring boundaries, embracing chaos: the politics of race and sexaulity [sic] in the works of James Baldwin /

Cohens, Derrick D. January 2008 (has links)
Thesis (M.A.)--University of Wyoming, 2008. / Title from PDF title page (viewed on June 24, 2009). Includes bibliographical references (p. 78-82).
13

Are these queer times? gay male representation on the American stage in the 1920's and 1990's /

Couch, James Russell, January 2003 (has links) (PDF)
Thesis (M.A.)--University of Kentucky, 2003. / Title from PDF t.p. (viewed on May 7, 2006). Includes vita. Includes bibliographical references (p. 62-68).
14

The masculine concept in the novels of Jane Austen

Costin, Barbara W., 1928- January 1963 (has links)
No description available.
15

A man ain't nothin but a man

Carlson, Eric D., January 2007 (has links)
Thesis (M.F.A.)--University of Missouri-Columbia, 2007. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 9, 2009) Includes bibliographical references.
16

I just need some space! space, invasion, and gender relations in restoration drama /

Sikkink, Lisa Mae. January 2009 (has links) (PDF)
Thesis (M.A. in English)--Washington State University, May 2009. / Title from PDF title page (viewed on May 21, 2009). "Department of English." Includes bibliographical references (p. 60-62).
17

The late medieval interlude the drama of youth and aristocratic masculinity /

Dunlop, Fiona S. January 2007 (has links)
Based on the author's Ph. D thesis. / Published by York Medieval Press in association with Boydell & Brewer and the Centre for Medieval Studies, University of York. Includes bibliographical references and index.
18

A Descriptive Study of the Male Negro Figure in Selected Contemporary Plays

Scott, John S. January 1966 (has links)
No description available.
19

Male images in the romantic stories in the Chuanqi genre of the Tang dynasty

Choi, Po-ki., 蔡寶琪. January 2009 (has links)
published_or_final_version / Chinese Language and Literature / Master / Master of Arts
20

'Imperfect adumbrations' : boys, men, and masculinities in the work of Virginia Woolf

Griffin, Lisa Myfanwy January 2014 (has links)
This thesis will suggest how Woolf scholarship's rich exploration of Virginia Woolf's representations of girls, women and femininities may be complemented by more systematic feminist study of constructs of masculinities, as they appear in her work. Elaborating the concept of the ‘private brother', the figure of a form of maleness that the daughters of educated men ‘have reason to respect', but that Three Guineas' narrator stipulates is ‘sunk' by men's exposure to society and replaced by the ‘monstrous male', my thesis will focus particularly on the representations of boys, men and masculinities in To the Lighthouse, Between the Acts and Woolf's biography Roger Fry, though I will additionally use material from Woolf's essays, diaries and letters, as well as from Mrs Dalloway, The Years and The Pargiters. The first section of my thesis will supplement feminist critiques of the education received by upper-middle-class English boys in Woolf's texts by exploring her representations of young male (inter)subjectivities in the process of being ‘sunk.' In the second section, I will complicate the narrative trajectories often indicated for these characters in Woolf criticism by proposing that Woolf understood this sinking process as always incomplete: I will argue that Woolf's adult male characters, even her patriarchs, professors and otherwise educated men, vacillate continually between stances that might be characterised as monstrous maleness and private brotherliness–in both ‘public' and intimate settings–as one of the preconditions of social existence.

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