abstract: Since its modern renaissance in the mid-1970s, the Messianic Jewish movement in America has grown from a handful of house churches to a network of hundreds of synagogues and congregations. Mainline American Judaism has unanimously rejected the argument that Jews who believe in Jesus continue to be members of the Jewish community or that their religion is a form of contemporary Judaism. Scholars have accounted for Messianic Judaism as a new religious movement but no consensus has formed on whether to classify Messianic Jewish religion as a sectarian form of Protestant Christianity or American Judaism. This dissertation uses a polythetic approach to defining Judaism and a comparative approach to studying religions in order to make sense of Hashivenu, a newly emergent community of Messianic Jews, and the claim that their religion is “truly” Judaism and not Christianity. It addresses the question of how scholars of religion can account for Messianic Judaism in the mapping of American religion without succumbing to essentialist definitions of Judaism that religious communities use to set boundaries and differentiate themselves from competing groups. Following the lead set by Bruce Lincoln on defining religion in four domains and Michael Satlow on defining Judaism through the use of conceptual maps, research on Messianic Judaism suggests that individual beliefs about whether Jesus is or is not the Messiah or part of a Trinitarian theology are less important to the academic classificatory project than is the authorizing religious discourse of the New Testament to which all Messianic Jews, including the Hashivenu group, appeal for creating community, legitimating practice, and constructing a Messianic Jewish worldview. Since Messianic Judaism properly contributes simultaneously to maps of both Judaism and Christianity, Hashivenu’s prescriptive approach to creating Judaism out of characteristics from two historically competitive, even antithetical religious traditions challenges scholars to contend with the limitations of defining Judaism and Christianity within the parameters of an unpopular but still regnant World Religions discourse predicated on the presumption that the two religions have long ago permanently parted ways. / Dissertation/Thesis / Doctoral Dissertation Religious Studies 2015

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This seven-chapter book, highlighted like a trail guide with Markers, will ease you into most basic, repeated themes found in the ancient texts. What is called the Old and New Testaments is a remarkable collection. It is intimidating for sure, but wise, prophetic, thorough and particular, with echoes that repeat into every culture. Through story and turn-arounds you will see how some very different individuals, in different times found their way into God’s real and sustaining peace. They listened to and reckoned with what God offers for soul survival. There’s hope here if you'll take it. / https://dc.etsu.edu/alumni_books/1033/thumbnail.jpg

Thesis (Ph.D.-Intercultural Studies)--Fuller Theological Seminary, School of Intercultural Studies, 2004. / Includes bibliographical references (p. 446-467) and index. Also available on the Internet.

In this study, I worked with an ensemble of teenagers from Ayts Chayim Messianic Synagogue in Boca Raton, Florida to develop an original Purim play to be presented for the congregation and the public. I specifically explored "What is theatre's role as a worship tool in a Messianic Jewish Synagogue?" My ultimate goal in this process was to honor God through the creative arts, and I used the process of creating the play to discover the specific ways that theatre can be used as a worship tool, from script development to theatrical presentation. I hypothesized that theatre could be used as a worship tool if both the attitude of the artists is one of worship and the artists strive for excellence because it is ultimately for God. I furthermore hypothesized that worshipping throughout the process by way of the group's teamwork, attitude, and quality of work would be an integral part of producing a successful product. I sought to discover specifically what theatre as a worship tool looks like in the context of a Messianic Synagogue and what practices I glean from models of Christian drama ministries and what practices emerge from my process that are unique to Messianic theatre when used as a worship tool. How can I infuse my spiritual foundation with my artistic training? The majority of this project focused on the process of creating the play, from writing the script to dress rehearsals. The ensemble met weekly to explore the themes of the biblical story of Esther, brainstormed ideas for our adaptation, developed a script, and executed production aspects such as acting and design elements. Simultaneously, I kept a rehearsal journal with reflections on each lesson and the process as a whole. I completed research on contemporary theories and practices of Christian theatre artists in order to compare and contrast different approaches to faith-based theatre; these approaches are described in this thesis and conclusions are made as to how this research can be applied to my study. At the end of the presentation, I conducted interviews with members of the ensemble and the leaders of the congregation to receive feedback about the process, final presentation, and their perception of how theatre may be used as a worship tool. In this thesis, I write about the experience as a whole, evaluating our ability to use theatre as a worship tool for this specific presentation. I then process the implications this project has for future Messianic Jewish theatre, as well as the project's impact on my growth as a theatre artist. My final conclusions based on this experience are that theatre's role as a worship tool is to create an atmosphere where people are comfortable worshipping. Furthermore, the process of creating the play helped the youth and I discover how to be effective "ministers" and artists that create an atmosphere of worship. Based on my research, I posit that theatre can play many "roles" in the context of a Messianic synagogue: a bypass, sandpaper, or light, to name a few. Finally, artists and places of worship have something to contribute to one another, but both parties must move forward with the understanding that the Scripture provides a theological framework from which to base artistic choices and that artists need to develop their own specific approach to theatre while suiting the mission, vision, and values of the host congregation.

This thesis deals with some aspects of the religiosity of the members of the Czech community, who claim to be a part of a Messianic Judaism movement. The text is based on the field research I did within the congregation. In the introduction, I attempt to present definitions of this type of religiosity, describe the historical development of the movement, make connection to evangelical religiosity, outline its basic pillars, clarify the role of non-Jewish believers in this movement, and ultimately outline possible forms of worship. Next, I describe my journey into the field, the development of my relationships with the informers and then I evaluate my insider-outsider position in the community. In the practical part of the thesis, I try to reveal the path of individual church members to this type of religiosity, relying on Kaell's concept of "born-again seeking". Based on testimonies from individual believers, I try to uncover why the congregation does not accept more elements of Pentecostal religiosity, as can be seen in many Messianic communities, especially in the United States and England. On the contrary, the church's aims seem to be a counterweight to emotional Pentecostal religiosity. On the phenomena of the celebration of Jewish holidays, the observance of the Sabbath, the relations to the...

Title in German and English, text in German, abstract and keywords in English / This thesis deals primarily with the questions: Is Israel constantly chosen by God or have the devine promises gone over to the chuch? Are jews to be saved without the sacrifice of Christ? Should jews be missionised as gentiles alike? To give responses, the followings steps are worked out: At first an overview on the israelological models that have been opined during church- history is presented. Secondly church-documents are analyzed in spite of their missiological content. Thirdly an exegesis of Romans 9-11 is offered. Following this, those of the church-documents, whose israelology is closest to the witness of scripture, are presented. Finally a conclusion is offered, which states, that jews are constantly chosen, but not to be saved in another manner as gentiles. Therefore the church is continually obliged to bear the Gospel also to Israel. Jews and gentiles alike are to be saved by nothing but the blood of Jesus. / Christian Spirituality, Church History and Missiology / M. Th. (Missiology)

Text in German / This thesis deals primarily with the questions: Is Israel constantly chosen by God or have the devine promises gone over to the chuch? Are jews to be saved without the sacrifice of Christ? Should jews be missionised as gentiles alike? To give responses, the followings steps are worked out: At first an overview on the israelological models that have been opined during church- history is presented. Secondly church-documents are analyzed in spite of their missiological content. Thirdly an exegesis of Romans 9-11 is offered. Following this, those of the church-documents, whose israelology is closest to the witness of scripture, are presented. Finally a conclusion is offered, which states, that jews are constantly chosen, but not to be saved in another manner as gentiles. Therefore the church is continually obliged to bear the Gospel also to Israel. Jews and gentiles alike are to be saved by nothing but the blood of Jesus. / Christian Spirituality, Church History and Missiology / M. Th. (Missiology)

The thesis explores the Jewish view of Jesus Christ of Geza Vermes concept and its possible influence on the Jewish-Christian dialogue. This Jewish researcher is known primarily as a popularist of the Dead Sea Scrolls, which were translated by him into English for the first time. Admittedly he is significant in the field of Jesus Studies. We present the author's perception of Jesus according to his life and work with focus on selected New Testament passages. Furthermore we focus on Messianic Judaism as a potential bridge in the Jewish-Christian dialogue, and discuss the conteporary state of these relations. A research survey was also developed on the subject of the dialogue. Finally, we summarize and evaluate the contribution of Geza Vermes' work, with emphasis on its use in the Jewish-Christian dialogue, with the support of our own research based on Czech experts,that complements the acquired piece of knowledge.