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Marcel Mihalovici a critical evaluation of his solo and chamber works for clarinet, a lecture recital, together with three recitals of selected works by Bozza, Uhl, Martino, Sowerby, Kalliwoda, Bax, and others /Evans, Garry Windel. January 2006 (has links)
Thesis (D.M.A.)--University of North Texas, 2006. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 16, 2001, Apr. 7, 2003, Apr. 19, 2004, and Oct. 16, 2006. Includes bibliographical references (p. 63-64).
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Marcel Mihalovici: A Critical Evaluation of His Solo and Chamber Works for Clarinet, A Lecture Recital, Together with Three Recitals of Selected Works by Bozza, Uhl, Martino, Sowerby, Kalliwoda, Bax, and OthersEvans, Garry Windel 12 1900 (has links)
The clarinet works of Marcel Mihalovici (1898-1985) represent significant contributions to the twentieth-century clarinet repertoire. Metric and rhythmic variability, melodic primacy, counterpoint, structural clarity, and elements of Romanian folk music permeate his writing and reflect a highly developed musical language. Mihalovici's educational background and cultural heritage provide important clues toward understanding his artistic legacy. His clarinet works are musically demanding and contain some of the most technically challenging passages in the repertoire, while at the same time, exhibit a distinctively French style influenced by traditional Romanian music. Mihalovici's writing follows familiar but variable formal procedures and conveys a diverse, modally influenced approach to tonality. While his harmonic language is frequently dissonant, his clarinet music offers a unique variety of musically rewarding styles.
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