A primeira parte deste trabalho compõe-se de um estudo do gênero épico tal como desenvolvido por Ovídio nas Metamorfoses, por meio da análise detalhada do proêmio e de outras passagens programáticas, concomitantemente à avaliação dos modelos que acabaram por formar sua variante particular de epos, a saber, Hesíodo, os poetas alexandrinos, além dos predecessores latinos, em particular Ênio, Lucrécio e Virgilio. A segunda parte consta do estudo e análise do mito de Ceix, no livro 11, no tocante à disposição narrativa e abordando-o em seu aspecto alusivo a obras precedentes, notadamente quanto ao conflito pietas / pax x impietas / ferocia que permeia o mito. Por fim, foi feita uma tradução em prosa de todo o mito, apresentada linha a linha, e uma em versos dodecassílabos da parte principal. / The first part of this piece of work consists of a study of the epic genre as developed by Ovid in Metamorphoses, by means of a detailed examination of the proem and other programmatic passages, simultaneously to an appreciation of the poetic models who contributed to form his particular variant of epos, namely Hesiod, the alexandrian poets, together with his Latin predecessors, particularly Aenius, Lucretius and Virgil. The second part consists of the study and analysis of the myth of Ceix in book 11, concerning narrative disposition and its marked alusiveness to preceding poems, notably in relation to the pietas / pax x impietas / ferocia conflict which underlies the story. Finally, there is a prose translation of the whole myth presented line by line, followed by a verse translation of the main part of the myth.

A primeira parte deste trabalho compõe-se de um estudo do gênero épico tal como desenvolvido por Ovídio nas Metamorfoses, por meio da análise detalhada do proêmio e de outras passagens programáticas, concomitantemente à avaliação dos modelos que acabaram por formar sua variante particular de epos, a saber, Hesíodo, os poetas alexandrinos, além dos predecessores latinos, em particular Ênio, Lucrécio e Virgilio. A segunda parte consta do estudo e análise do mito de Ceix, no livro 11, no tocante à disposição narrativa e abordando-o em seu aspecto alusivo a obras precedentes, notadamente quanto ao conflito pietas / pax x impietas / ferocia que permeia o mito. Por fim, foi feita uma tradução em prosa de todo o mito, apresentada linha a linha, e uma em versos dodecassílabos da parte principal. / The first part of this piece of work consists of a study of the epic genre as developed by Ovid in Metamorphoses, by means of a detailed examination of the proem and other programmatic passages, simultaneously to an appreciation of the poetic models who contributed to form his particular variant of epos, namely Hesiod, the alexandrian poets, together with his Latin predecessors, particularly Aenius, Lucretius and Virgil. The second part consists of the study and analysis of the myth of Ceix in book 11, concerning narrative disposition and its marked alusiveness to preceding poems, notably in relation to the pietas / pax x impietas / ferocia conflict which underlies the story. Finally, there is a prose translation of the whole myth presented line by line, followed by a verse translation of the main part of the myth.

Ma réflexion est basée sur les nouveaux problèmes des vêtements dans une société post-moderne notamment en utilisant les notions du collage, d'assemblage, du patchwork, du montage, de la récupération, du recyclage et du métissage des genres, des époques, des cultures, des styles, des matières, des couleurs, des formes dans la mode vestimentaire. L'objet de ma recherche est axé sur l'assemblage de la nouvelle esthétique des modes d'assemblage cousus et non cousus et l'étude des bouleversements esthétiques générés par l'intégration de l'art du patchwork et du collage sur la voie vestimentaire à partir de mixage des matériaux empruntés de la vie courante. Il s'agirait d'investir les fonctionnements d'une esthétique de reconstruction et de déconstruction dans les œuvres collagistes et voir la nouvelle identité de la Haute Couture métissée qui a bouleversé les rapports traditionnels entre le créateur, l'œuvre, les techniques et le coupé cousu. / My thinking is based on emerging clothes in a post-modem society using the concepts of collage, assemblage, patchwork, installation, recovery, recycling and mixing of genres, eras, cultures, styles, materials, colors, shapes in fashion clothing. The purpose of my research is focused on the assembly of the new aesthetic modes of assembly and not stitched sewn and study of aesthetic upheavals generated by the integration of the art of patchwork and collage on track dress from mixing of materials borrowed from everyday life. It would invest the workings of an aesthetic reconstruction and deconstruction in collage works and see the new identity of the Haute Couture mixed that changed the traditional relationship between the creator, the work, techniques and cut and sewn.