Inaug.-Diss.--Münster. / Vita. Bibliography: p. 290-299.

Thesis--Bern. / Text in German and Hebrew. Includes bibliographical references.

Thesis - Bern Universität. / Includes bibliographical references.

Diss.--Universität Tübingen, 1996. / Bibliogr. p. 151-180.

Texte remanié de: Diss.--Fachbereich 11--Mainz--Johannes-Gutenberg-Universität, 2005. / Bibliogr. p. 238-250.

Diss.--Berlin--Technische Universität, 1999. / Bibliogr. p. 300-320.

Thesis--Paris IV, 1977. / Includes index. Bibliography: p. 905-966.

Diss. Univ. Halle-Wittenberg, 2007.

Diss.--Universität Bremen, 1995. / Bibliogr. p. 605-623. Index.

本文嘗試論証詩篇卷四包含一摩西詩組（90-100 篇），而且摩西詩歌傳統之影響遍及全卷，成為詩卷主要詮釋角度和框架。本文將於第一章先確立五經中的摩西詩歌傳統，探討其年代，描述其面貌和內容，及其中之摩西形象。然後，本文將確立卷四中的摩西詩組及其與五經中摩詩傳統的對應關係。透過第二章探討卷四中的摩西形象及其作用，本文確立了摩西詩組與申32-33章的對應關係和卷四的摩西傳統詮釋框架，而藉第三章探討卷四的結構，本文確立卷四是一經編修之詩集，結構嚴整，各詩的關連緊密，在表達詩卷訊息上各具功能，這就使摩西傳統的影響力遍佈全詩卷。第四章藉探討卷四中的大衛詩組和引用了三首卷四詩的代上16章，來看卷四中的摩西傳統，發現大衛詩組在卷四中不單在摩西傳統的籠罩之下，更是被擄後群體將信仰建基於摩西傳統並加回應的作品。而從歷代志的引用則可見當時摩西的詩歌傳統權威應已根深柢固，家喻戶曉，而詩篇卷四亦應起碼已具雛型。第五章是總結。本文對摩西在詩篇中的地位和重要性，詩篇正典的形成及其結構、訊息，摩西在五經以外希伯來經卷中的形象，經文間的對話（如詩篇與五經及歷代志的對話）等方面，應能帶來新的探討方向。 / In this thesis, it is argued that there exists a Mosaic Psalm group (Pss 90-100) in the Fourth Book of Psalms and the Book is under the influence of Mosaic Psalmic Tradition. Book Four is framed by this tradition and should be interpreted accordingly. It is argued in the first chapter that the Mosaic Psalmic Tradition is already established in the Pentateuch. Its date, composition, content and the Moses’ images therein are investigated. By exploring the Midrashic Tradition and the use of Psalm title, it is discussed in chapter two that Psalms 90-100 form a Mosaic Psalm group and it corresponds with Deut 33. Both of them are composed to respond to the Song of Moses (Deut 32). By exploring the use of Moses’ images in Book Four, it is proposed in chapter three that there is a Mosaic frame in Book Four by which the whole Book should be interpreted. In chapter four, by the analysis of the structure of Book Four, in which the three parts of it are closely tied together, it is demonstrated that the Mosaic influence permeates them. And by exploring the relation between Davidic and Mosaic Psalm groups, David’s image in Book Four, and the way 1 Chronicle 16 compose a new Psalm by using the three psalms in Book Four, it is discussed, in chapter five, that the Davidic Psalm group is used by the post-exilic congregation to respond to the tragedy of exile which has been proclaimed in Deut 32. And in the time of Chronicler, the Mosaic Psalmic Tradition is authoritative and the prototype of Book Four already exists. And chapter six is the conclusion. / This paper affirms the importance of Mosaic Tradition in Psalms (especially Book Four) and Psalmic worship, which has been neglected in the scholastic circle for a long time. It may also contribute to the studies of the formation, structure and message of the canonical Psalter. The discussion of the Mosaic images in the Hebrew Bible beyond the Pentateuch may also be enriched by this thesis. And the new trend of conversation between Biblical books may prove promising in this paper too. / Detailed summary in vernacular field only. / 莫鉅智. / Parallel title from added title page. / Thesis (Ph.D.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 224-237). / Abstracts also in English. / Mo Juzhi.