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1	Savva Mamontov and the Mamontov Circle 1870-1905 : art patronage and the rise of nationalism in Russian art. Grover, Stuart Ralph, January 1900 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 1971. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
2	'Ik ben zo blij dat ik hier ben' 'I am so glad that I am here' / Femia, Angela. January 2007 (has links) Thesis (M.V.A.)--University of Sydney, 2007. / Title from title screen (viewed 26 March 2008). Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts. Includes a list of illustrations: leaves 5-6. Includes bibliographical references. Also available in print form.
3	Sublime noise musical culture and the modernist writer / Epstein, Joshua Benjamin. January 2008 (has links) Thesis (Ph. D. in English)--Vanderbilt University, Dec. 2008. / Title from title screen. Includes bibliographical references.
4	蔡國強與村上隆經營模式之比較分析:從紐約當代藝術談起 / A comparative analysis of cai guo-qiang and murakami' business model : the study follows new york contemporary arts 林丁禾, Lin, Ding He Unknown Date (has links) 本研究提出「紐約當代藝術家經營模式」的研究架構，其後進行個案研究，觀察蔡國強與村上隆兩位國際級的當代藝術家的創作內涵與經營事蹟，使讀者與後續研究者能夠有系統地解讀其藝術事業的具體結構。 / This study first proposes the research framework of " Business Model of New York contemporary artists ", then does a case study on two world-class contemporary artists, Cai Guo Qiang and Takashi Murakami, and observe their creation and business in order that the readers and future researchers can interpret the concrete structure of their artistic business in a systematic manner. 現代藝術當代藝術紐約創意經濟經營模式蔡國強村上隆 Modern Arts Contemporary Arts New York creativity economy Business model Cai Guo-Qiang Takashi Murakami

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