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Sentimiento de pertenencia nacional y cosmopolitismo en el arte nuevo en Espana (1918-1936)Mendez-Betancor, Alejandro 26 October 2017 (has links)
<p> Este trabajo de tesis doctoral presenta una interpretación del <i> arte nuevo</i> español. Concretamente se enfoca en el estudio de la dialéctica entre la <i>intención cosmopolita</i> y el <i>sentimiento de pertenencia</i> en el marco cronológico que va desde 1918 (fin de la I Guerra Mundial) hasta 1936 (inicio de la Guerra Civil española). Se advierte que en la articulación de este diálogo el paisaje y el entorno local son elegidos para representar el <i>sentimiento de pertenencia.</i> El cosmopolitismo es interpretado culturalmente, y además se propone la formación de un <i> tercer espacio</i> transnacional para el encuentro de los intelectuales y artistas.</p><p> Estructuralmente este trabajo está organizado en tres capítulos enfocados a literaturas locales diferentes: Castilla, Cataluña y Canarias. El primer capítulo estudia la literatura del <i>arte nuevo</i> que considera Castilla como centro cultural del Iberismo y del Hispanismo. Para ello se toma como fuente principal la revista <i>La Gaceta Literaria </i> (1927-1932) y su director, Ernesto Giménez Caballero. El segundo capítulo se centra en el estudio del <i>art nou</i> catalán a partir fundamentalmente de la revista <i>L’Amic de les Arts</i> (1926-1929), y los artistas plásticos Salvador Dalí y Joan Miró. Finalmente, el último capítulo analiza el <i>arte nuevo</i> canario tomando como textos principales la revista Gaceta de Arte (1932-1936), y las obras <i>Lancelot 28º. 7º</i> (1929) de Agustín Espinosa y El hombre en función del paisaje (1930) y <i>Líquenes</i> (1928), de Pedro García Cabrera.</p><p>
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MODES OF PRIMITIVISM: BLACK PORTRAITS BY WHITE WRITERS IN TWENTIETH CENTURY AMERICAN LITERATURECOOLEY, JOHN RYDER 01 January 1970 (has links)
Abstract not available
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THE AFROAMERICAN NOVEL AND ITS TRADITIONBELL, BERNARD WILLIAM 01 January 1970 (has links)
Abstract not available
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THE THEATRE OF JOHN ARDENROBERTS, JEFFREY LAYSAHT 01 January 1971 (has links)
Abstract not available
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Language, Play, and the Teaching of Writing: An Approach to Composition Through LiteratureComprone, Joseph John 01 January 1970 (has links)
Abstract not available
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TEICHOSKOPIE IM DEUTSCHEN DRAMA VON KLOPSTOCK BIS HAUPTMANN (GERMAN TEXT)HACHIGIAN, MARGARETE 01 January 1969 (has links)
Abstract not available
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LE ROMAN DECADENT DE BARBEY D'AUREVILLY AVANT LES DIABOLIQUES. (FRENCH TEXT)CHARTIER, ARMAND BERNARD 01 January 1970 (has links)
Associer Barbey d'Aurevilly à la décadence, l'idée n'est pas tout à fait nouvelle, quoiqu'elle ne soit pas très répandue. De plus, cette association de l'oeuvre aurevillyenne n'a pas été analysée en profondeur.Il semble bien que Champfleury ait été le premier à faire le lien entre Barbey et la décadence, et ce, dans son ereintement d'Une Vieille Maitresse, daté de novembre 1856: "Littérature de décadence, il est vrai, de piment, d'alchool (avec un h) [sic], littérature d'homme blasé qui a épuisé jusqu'à la dernière goutte toutes les re- cherches d'une ardente volupté, littérature bestiale de sang et de tigre, que pour l'honneur de M. d'Aurevilly, je veux bien croire une affectation, une sorte de dandysme.
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Boris Vian's America: Representing the New World in post-war FranceJones, Christopher Mark 01 January 1994 (has links)
This paper explores mythical and imaginary representations of America by Boris Vian and examines the personal and social context in which they were nurtured and produced. The purpose is to contribute to an understanding of the extent and nature of the transmission of cultural values and myths between the US and France in the period between 1930 and 1955, roughly corresponding to the most productive years of Vian's life. The central texts in this discussion are those in which the American influence is most strongly present: Vian's reviews of the jazz press, written for Jazz Hot over a period of 10 years, and his four pseudo-translations of American romans noirs published under the name Vernon Sullivan, especially J'irai cracher sur vos tombes. Background discussions include Vian's childhood in the Thirties, French opinion and the U.S., the importance of American expatriates and cultural imports like the New American Novel, cinema, black American writings, American influences in other mid-century French writing, and the war-time zazou movement. The evaluation of Vian's jazz criticism involves comparisons using critical texts from Vian's French and American contemporaries as well as new critical appreciations of recorded performances which would have influenced Vian. The readings of the Sullivan novels are accomplished through a comparative look at the hardboiled American school, specifically Raymond Chandler and James Cain, both writers explicitly acknowledged by Vian to have been major influences. The paper closes with an examination of the importance of myth in evaluating both the Vian production and its American antecedents.
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The paradox of the solitary child in Charles Dickens and Frank O'ConnorNeary, Michael Joseph 01 January 1992 (has links)
The paradoxical principle I explore in the fiction of Dickens and O'Connor is perhaps best expressed this way: the archetype of the child reveals that isolation, smallness, and apparent insignificance can create connectedness, expansiveness, and meaning. The archetype surfaces in any character that suffers these first three fates, be it the solitary child or the seemingly insignificant, outcast adult (or "little man," in O'Connor's words). Central to the study is my suggestion that the small, often childlike narrative consciousness O'Connor describes as fundamental--even exclusive--to the short story can exist in the novel, as well. The "little man" of the short story, O'Connor writes, "impose(s) his image over that of the crucified Jesus" (The Lonely Voice 16). I believe that by looking at the way in which O'Connor characterizes the paradoxical rhythm of smallness and expansiveness, as well as the way that rhythm manifests itself mythologically, we can open up new avenues (through the small portal of the childlike figure) to larger works of fiction, as well. The fiction of Charles Dickens, which includes some of the most sprawling novels in all of literature, becomes illuminated in the context of the myth and the short story. Dickens's short installments (a feature of the literary tradition of nineteenth-century England); his oral, fireside narrative voice; and his extensive depiction of small and childlike characters all reveal the explosion of events in tiny but potent milieus.
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