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The paraphrase and parody masses of Cristôbal de MoralesArveson, Arthur Mark, January 1971 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1971. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Cristóbal de Morales and the imitation of the past : music for the mass in sixteenth-century Rome /McFarland, Alison Sanders, January 2001 (has links)
Diss.--Musicologie--Santa Barbara--Unif. of California, 1999. / Bibliogr. p. 319-344.
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Cristóbal de Morales and the Spanish motet in the first half of the sixteenth century : an analytical study of selected motets by Morales and competitive settings in Sev-Bc 1 and Taraz-C 2-3 /Freis, Wolfgang. January 2000 (has links)
Diss.--Philosophie--Chicago, Ill.--Univ., 1992. / 3 tomes réunis en 1 seul volume. Extraits de textes en latin avec la trad. anglaise en regard ainsi que des textes en espagnol. Les transcriptions en fin de volume sont celles de motets conservés à la Biblioteca Colombina de la Cathédrale de Séville (Sev-Bc 1) et à l'Archivo Capitular de Tarazona (Taraz-C 2-3). Bibliogr. p. 343-354.
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A comparative style analysis of five early-to-mid sixteenth-century lamentation composers : Juan Escribano, Costanzo Festa, Elezear Genet (Carpentras), Cristóbal de Morales, and Yvo Nau /Monek, Daniel Glenn. Unknown Date (has links) (PDF)
Thesis (Ph.D.)--University of Edinburgh, 1999.
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