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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Twórczość powieściowa Alberta Moravii

Heistein, Józef. January 1968 (has links)
Enlarged version of author's thesis, Uniwersytet Wrocławski. / Includes bibliographical references and index.
2

Twórczość powieściowa Alberta Moravii

Heistein, Józef. January 1968 (has links)
Enlarged version of author's thesis, Uniwersytet Wrocławski. / Includes bibliographical references and index.
3

Alberto Moravia, écrivain voyageur, 1930-1990 /

Maigron, Maryline. January 1900 (has links)
Texte remanié de: Thèse de doctorat--Études italiennes--Grenoble 3, 1997. Titre de soutenance : Alberto Moravia, voyageur écrivain, 1930-1990. / Bibliogr. p. 233-261. Index.
4

The Existential Predicament as Theme in the Novels of Alberto Moravia

Young, Gene Herman 08 1900 (has links)
The phrase "existential predicament" is a summary of Moravia's preoccupation as a novelist. In his fiction there is constant, unrelenting obsession with the situation of a single, particular character confronting, through his own existence in a physical, historical setting, the forces or powers of negation which threaten him with the frightening personal awareness of the possibility, even inevitability, of his own dissolution into nothingness.
5

L'opera di Alberto Moravia nel giudizio dei critici. -

Wienstein, Hen. January 1968 (has links)
No description available.
6

L'opera di Alberto Moravia nel giudizio dei critici. -

Wienstein, Hen. January 1968 (has links)
No description available.
7

Vergessene Literatur des "ventennio nero" : italienische Kurzprosa zwischen 1922 und 1945 am Beispiel der frühen racconti Alberto Moravias /

Arnold, Stefani. January 1997 (has links)
Diss.--Albert-Ludwigs Universität, Fribourg-en-Brisgau, 1996. / Bibliogr. p. 269-286. Index.
8

Die Gleichgültigen Analysen zur Figurenkonzeption in Texten von Dostojewskij, Moravia, Camus und Queneau

Rudek, Christof January 2008 (has links)
Zugl.: Mainz, Univ., Diss., 2008
9

Die Gleichgültigen : Analysen zur Figurenkonzeption in Texten von Dostojewskij, Moravia, Camus und Queneau /

Rudek, Christof. January 2010 (has links)
Zugl.: Mainz, Universiẗat, Diss., 2008.
10

As referências mitológicas e a construção do humorismo em Racconti surrealisti e satirici, de Alberto Moravia

Bosquesi, Gisele de Oliveira [UNESP] 01 August 2011 (has links) (PDF)
Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-08-01Bitstream added on 2014-06-13T19:59:48Z : No. of bitstreams: 1 bosquesi_go_me_sjrp.pdf: 601704 bytes, checksum: a6ee950ac289f49de2bce750fbb64659 (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / O presente trabalho tem como objetivo, primeiramente, analisar o diálogo intertextual entre os contos de Racconti Surrealisti e Satirici, do escritor italiano Alberto Moravia, e a Mitologia greco-romana. Utilizando as concepções de Laurent Jenny e Julia Kristeva, estudaremos a relação entre os contos de Moravia e a Mitologia, buscando elucidar novas leituras resultantes de tal relação. Além disso, verificaremos a presença do humor pirandeliano nos contos e na retomada intertextual, partindo da hipótese de que Moravia, ao utilizar-se dos mitos e compor tais contos em chave metafórica, pôde veicular sua crítica à realidade existencial italiana, relacionada aos acontecimentos da primeira metade do século XX / The aim of the present study is to analyze, firstly, the intertextual dialogue between the short stories of Racconti Surrealisti e Satirici, by the italian writer Alberto Moravia and Greek and Roman mythology. Based on the studies of Laurent Jenny and Julia Kristeva, we intend to observe new meanings brought to the narratives as a result of that dialogue. Furthermore, we aim at verifying the presence of humor, as defined by Luigi Pirandello, in those short stories and in the intertextual relation, based on the hypothesis that Moravia, by using myths and by composing his narratives as metaphors, could witness the italian existential reality related to the happenings in the first half of twentieth century

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