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11	An Analysis of Visual Religious Symbols Appearing in the Improvement Era, Ensign, and New Era Published by The Church of Jesus Christ of Latter-Day Saints From 1952-1972 Christensen, Carl Landus 01 January 1974 (has links) This study analyzes the appearance of eighty visual religious symbols in the Improvement Era, Ensign, and New Era, published by the Church of Jesus Christ of Latter-day Saints from 1952-1972. The study notes their frequency and distribution as well as noting their size, the medium used to render them and the correlation of their religious meanings to the articles they illustrate.The findings of this study indicate that visual religious symbols are used and that many of them have a high degree of correlation to the articles they illustrate.This study gives suggestions to those artists who wish to produce works of art for the above named publications and gives some reflection of editorial policies concerning the use of religious symbols in the publications. Christian art symbolism Mormon art Mormon church Periodicals Graphic Communications Mass Communication Mormon Studies
12	An analysis of visual religious symbols appearing in the Improvement Era, Ensign, and New Era published by the Church of Jesus Christ of Latter-day Saints Christensen, Carl Landus. January 1974 (has links) Thesis (M.A.)--Brigham Young University. Dept. of Art & Design. / Electronic thesis. Also available in print ed.
13	Minerva Teichert's murals : the motivation for her large-scale production / Wardle, Marian Eastwood. January 1988 (has links) Thesis (M.A.)--Brigham Young University. Dept. of Art, 1988. / Bibliography: leaves 99-103.
14	A Pale Reflection: American Indian Images in Mormon Arts Hafen, P. Jane 01 January 1984 (has links) (PDF) American Indians in Mormon arts suffer from the imposition of the white man's traditional ideas, images and stereotypes. An examination of Mormon literature since 1941, Mormon hymns and music, and Mormon visual arts reveals little consideration of Native American values: tribal affiliation, significance of place and community, myth and ritual. While the mainstream of American art has incorporated Native American values into Indian representations, and even found a place for Native American artists, Mormon arts adhere to historical misinterpretations, despite a number of fine Mormon Native American artists. Indians literature Mormons Relations Mormon art Art and Design Indigenous Studies Mormon Studies
15	A Study of the Effect of Color in the Utah Temple Murals O'Brien, Terry John 01 January 1968 (has links) (PDF) The purpose of this study was to ascertain the effect conveyed by color in the murals of four Latter-day Saint Temples: St. George, Logan, Manti, Salt Lake, compared to the desired effect relative to the spiritual function of each room in which they are found. Color Psychological aspects Mormon temples Mormon art Mormon artists Art and Design Mormon Studies
16	Four Utah Mormon Artists as Authors Trimble, Roxie Dale 01 January 1982 (has links) (PDF) In researching the literary and visual art forms of four Utah Mormon artists/authors, considerable evidence supports the prognosis that natural parallels do exist between the written and visual works of artists/authors. Recent as well as past historical data also confirms this hypothesis.To implement research personal interviews and written questionnaires were submitted. The resultant data compiled supports the prognosis that this parallelism does exist. Artists Utah Mormon authors Authors American Mormon art Art Practice Mormon Studies Rhetoric and Composition
17	Minerva Teichert's Murals: The Motivation for her Large-Scale Production Wardle, Marian Eastwood 01 January 1988 (has links) (PDF) It is my thesis that the impetus for Minerva Teichert's prolific mural production came from the lofty ideals of the Beaux Art mural tradition which she encountered and embraced during her studies at the Art Institute of Chicago from 1909 to 1912. Furthermore, it was the great interest in mural decoration during the 1930s, spurred by government patronage, that provided Teichert with the opportunity to apply these ideals to large-scale works. Research into the Beaux Art mural tradition has been difficult, as recent scholarship on the subject is negligible. An understanding of this early mural movement however, yields a greater understanding of later mural production in America. I am convinced that not only Teichert, but other muralists of the 1930s, were motivated by Beaux Art ideals. Mural painting decoration American Utah Christian art symbolism Minerva Kohlhepp Teichert 1888-1976 Mormon art Art and Design History Mormon Studies

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