This thesis is an overview of the historical context in which the church of Christ the Redeemer (Sant'Apollinare Nuovo) in Ravenna, Italy, was erected. It explores the forces responsible for shaping the church at the time of its construction and decoration in the sixth century. The basilica had gained popularity of usage as a model for the Christian Church in the West by this time. This thesis further explores the conclusions put forth by scholars that the basilica was the forum in which the transition of architectural imperial symbolism from the pagan empire to the new Christian Church took place, that the Church adopted the court ceremony of the emperor for its liturgy, and that the symbolism previously associated with the emperor was transferred to Christ resulting in the identification of the basilica as the throne hall of Christ. A study of the mosaics adorning the nave walls describes the significance of their origins and meaning.

No description available.