The research question this thesis asks is what accounts for the intra state variation of mosque building projects in Western Europe, using as case studies Britain, France, Germany and the Netherlands. Two mosque projects are considered in each case study state and two theories are proposed and tested: resources mobilization theory and opportunity structure theory.

The research question this thesis asks is what accounts for the intra state variation of mosque building projects in Western Europe, using as case studies Britain, France, Germany and the Netherlands. Two mosque projects are considered in each case study state and two theories are proposed and tested: resources mobilization theory and opportunity structure theory.

Thesis (M.Sc.)--University of Hong Kong, 2007. / Includes bibliographical references (p. 97-100).

The research question this thesis asks is what accounts for the intra state variation of mosque building projects in Western Europe, using as case studies Britain, France, Germany and the Netherlands. Two mosque projects are considered in each case study state and two theories are proposed and tested: resources mobilization theory and opportunity structure theory. / Arts, Faculty of / Political Science, Department of / Graduate

A room for meditation and remembering Allah,where spiritual qualities unified in architectural and artistic style.The simple origin of the mosque is the prophet Muhammad's mosque in Medina,which was built from mud-bricks walls and palm-tree trunks and fibre for roofing,it has evolved into an intricate system of spatial designing and decorative creativity.This Project is located at Stockholm Northern outer suburb of Österåker, to house the Muslim community's association offices and mosque , with total area of sqm.1700.500 -700 persons are  estimated to gather in high time feasts' services.The minaret and the dome are in  abstraction form , Mihrab and Minbar "a raised structure similar to a pulpit from where the Friday sermon is given" at the Qiblah "southern" wall made of painted wood work in Arabesque .Mosques are centres for Muslim community gatherings,both  social and cultural .They also functioned as ”Madrasah” for weekend's Quranic classes .

This thesis aims to apply an abstract method of design concerned with the integration of Islamic texts and building. This method was applied to a mosque floating on the water in the city of Jeddah, where the spaces were formed in a manner that was inspired by Islamic religious texts. The result is a sacred experience that can be felt through the evocation of texts within the architectural space. / Master of Architecture / The profound significance of geometric patterns in our universe and their presence in various aspects of human culture cannot be overlooked. From Kepler's exploration of planetary distances to the religious symbolism found in squares, circles, and triangles, geometry speaks a universal language that resonates across time and civilizations. The Islamic faith exemplifies this connection through the veneration of the Kaaba, a sacred structure embodying a perfect cubic shape. The circular motion of Muslims around the Kaaba unifies them in their devotion and harmonizes with the natural order. The mosque, designed with meticulous attention to detail, amplifies the spiritual experience of worshippers. The sound of hurried footsteps on the wooden path signifies Their enthusiasm to meet God, , while the carefully positioned skylight symbolizes the pursuit of righteousness. Additionally, the thoughtful arrangement of the entryway from darkness to light and the strategic placement of the chair to stimulate the right side of the brain contribute to an environment that nurtures creativity and emotional connection. Ultimately, the interplay between geometric patterns, spirituality, and architecture showcases the deep-rooted human yearning for unity, transcendence, and the divine.

Thesis--Bonn. / Includes bibliographical references (p. 332-350).

Thesis--Bonn. / Includes bibliographical references (p. 332-350).

No description available.

In the history of Architecture, religious structures have always awed people whether a person corresponds to the concerning religion or even he or she is not religious at all. Those structures have been patronized by the riches or the royal highnesses of the time and mostly got the utmost priority regarding planning and construction and the results have been magnificent. By the 16th century when Ottoman Empire (15-20th century) was spreading its dynasty, the world saw the emergence of an overwhelming spread of Islamic architecture as well. Even now one who enters the city of Istanbul or Damascus from the riverside will see series of domes, arches and minarets staggered along the topography. The hierarchical progression of the biggest and most attractive domes among them, which one could hardly miss are of the mosques. Time to time the social and commercial aspects of life started to redefine urban settlements and demanded for a space for spiritual devotion as well as religious learning and practices in groups. Getting together five times a day as instructed or every Friday for the afternoon where the Imam presents lectures not only on religious matters, contemporary matters and better ways to live in harmony with religious and contemporary concerns. It is the communal gathering of people that demanded for a large hall to pray and communicate with each other afterwards. The Intention of this thesis is to dig into some of the core aspects of the evolution of mosques, significance of its different parts and features and most importantly how those features as a whole are contributing to behold social and communal construct.