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31	The motets of Orazio Benevoli Bryden, John R. Benevoli, Orazio. January 1951 (has links) Thesis (Ph. D.)--University of Michigan, 1951. / Vol. 2.: Forty-six representative motets. Includes bibliographical references (v. 1, leaves 205-219). Benevoli, Orazio. Motets
32	Mode, text and syntax in selected motets of Cristóbal de Morales Bonfield, Stephan January 1998 (has links) (PDF) No description available. Motets History and criticism Motet
33	Die Solomotetten Isabella Leonardas (1620-1704) : Analysen sämtlicher Solomotetten und ausgewählte Transkriptionen / Schedensack, Elisabeth. January 1998 (has links) Diss.--Histoire et philologie--Göttingen--Georg-August-Universität, 1996/97. / Textes des motets en latin et en italien avec la trad. allemande en regard. Bibliogr. (t.1) p. 138-145. Index. Leonarda, Isabella, Motets
34	Josquin des Prez and his motets : a case study in sixteenth-century reception history / Schlagel, Stephanie P. January 2000 (has links) Diss.--Philosophie--Chapel Hill, N.C.--Univ., 1996. / Sources manuscrites et imprimées concernant les motets avec localisation p. 335-355. Contient la musique de 3 motets en fin de volume. Bibliogr. p. 387-398. Josquin Des Prés, Motets
35	Pierre Attaingnant's Treize livres (1534-35) and their anonymous motets / Treloar, Stephanie Lynn. January 2000 (has links) Thesis--Calgary, 1993. / Sources p. X-XV. Bibliogr. p. 120-128. Attaignant, Pierre, Motets
36	Musikalisch-rhetorische Figuren in Kompositorischer Praxis : Untersuchungen zur deutschen Evangelienmotette um 1600 / Bartels, Katrin. January 1997 (has links) Diss--Göttingen, 1991. / Bibliogr. p. 270-276. Motets Composition (musique)
37	The Grand Motet, 1661-1726: An Approach to Modern Performance Cox, Melissa B., Cox, Melissa B. January 1980 (has links) The grand motet was the major large musical form of state-sponsored religion in France in the 17th and 18th centuries. It emerged from the double chorus motet of the early 17th century, influenced by the new musical trends from Italy and French secular genres such as the air de cour and dances, and remained essentially unchanged until the French Revolution. The period covered in this study, beginning with the assumption of power of Louis XIV in 1661 and ending with the death of Delalande in 1726, represents the full blooming and highest musical development of the grand motet. Composers in this form whose names and works have come down to us were associated primarily with the Chapelle Royale at Versailles and, in a few cases, with the more important Paris churches. These composers include some whose names may be familiar: Dumont, Robert, Lully, Campra, Charpentier and Delalande; the repertoire of motets which they produced represents possibly the largest untapped body of Baroque church music still left. The number of motets extant in score or parts is unknown, but numbers in the hundreds. Of these, perhaps ten are available in a decently performable modern edition. It may indeed be that a certain portion of this repertoire deserves to languish in obscurity, but the attractiveness of some of the motets now available suggests the existence of others of high musical worth. lecture recital document Motets
38	Motteti del Fiore : une étude des huit livres de motets édités à Lyon par Jacques Moderne (1532-1543) avec la transcription des pièces inédites / Duchamp, Jean, January 2003 (has links) Th. Etat--Musicologie--Tours--Univ. François-Rabelais, 2000. / Texte des motets en latin. Bibliogr. p. 582-608. Index.
39	François Giroust (1737-1799) and the late grand motet in French church music / Eby, John Douglas, January 1900 (has links) Thesis--Philosophy--London--Faculty of music, King's College, 1986. / Bibliogr. f. 416-428.
40	Die Motette in der Frühzeit der Ars nova Prisor, Lothar, January 1971 (has links) Thesis--Freiburg im Breisgau. / Includes bibliographical references (p. iii-v). Music Motets Ars nova. Motetten.

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