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Teaching film as a space of interpretative interactionYung, Yuk-yu., 容若愚. January 1998 (has links)
published_or_final_version / Comparative Literature / Doctoral / Doctor of Philosophy
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A proposal for the initiation of a student film making courseWood, Michael Arnold January 2010 (has links)
Digitized by Kansas Correctional Industries
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Exasperation and Curiosity: Alexander Mackendrick at the California Institute of the ArtsCronin, Paul J. January 2014 (has links)
A study of the teaching career of British film director Alexander Mackendrick, who in 1969 became founding dean of the film school at the California Institute of the Arts.
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Film Academy in AberdeenWong, Wei-him, Ivan. January 2001 (has links)
published_or_final_version / Architecture / Master / Master of Architecture
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Hong Kong Film AcademyLam, Hei, Lawrence, 林晞 January 1996 (has links)
published_or_final_version / Architecture / Master / Master of Architecture
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Attitudes of the Texas Film Industry Toward Film Studies Curriculum in Texas Institutions of Higher LearningPotter, Paul Eugene 08 1900 (has links)
The problem with which this investigation is concerned is the ascertainment of the attitudes of members of the Texas film industry toward the film curriculum offered in Texas institutions of higher learning. Based on the findings the following conclusions have been reached. There is not a high regard overall for film-studies programs in Texas institutions of higher learning within the film industry. This may be overcome by an interaction of the professional film community as an active participant in curriculum planning and development. Of prime consideration should be an association of film schools coordinating programs in cooperation with the Texas Film Commission. An effective curriculum for film-studies education may be organized by utilization of learning modules. This plan would organize the learning experiences in a functional manner and would move toward involvement of a career nature.
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Portland's "Refugee from Occupied Hollywood": Andries Deinum, his Center for the Moving Image, and Film Education in the United StatesPetrocelli, Heather Oriana 29 November 2012 (has links)
Two years after Dutch émigré Andries Deinum was fired from the University of Southern California in 1955 for refusing to cooperate with the House Un-American Activities Committee, he moved to Portland, Oregon to teach film courses through the Portland Extension Center. By 1969 he had become integral to the local film community and had formed Portland State University's Center for the Moving Image (CMI), where he and Tom Taylor taught film history, criticism, and production for the next thirteen years. Although CMI was eliminated in 1981 as part of PSU's financial exigency, CMI's teachers and students have been a vital part of the thriving film community in Portland since its foundation. A key former student and figure in Portland's film community, Dr. Brooke Jacobson credits Deinum, Taylor, and CMI for laying the foundation for the Northwest Film Center (co-founded by Jacobson in 1971 as the Northwest Film Study Center). Through archival research and oral history methodology, this thesis pieces together Andries Deinum's role in the development of film education in the United States and the mark he left on Portland's cultural landscape, specifically the city's vital and thriving cinematic community.
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Enseñar cultura a través del cine españolHadley-Miller, Linda D. 18 June 2007 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / El uso del cine en el aula provee a los estudiantes oportunidades visuales en combinación con las auditivas de oír la lengua meta con las sutilezas y los matices de los hispanohablantes. Es decir, el cine les proporciona la inmersión en la lengua auténtica. Las imágenes les permiten a los estudiantes sentirse parte del país, involucrados con las personas, las situaciones y las circunstancias de la vida cotidiana.
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