published_or_final_version / abstract / Humanities / Doctoral / Doctor of Philosophy

薛婷. / 論文(碩士) -- 香港中文大學硏究院傳播學部, 1995. / 附參考文獻. / Xue Ting. / Chapter 第一章 --- 引言 / Chapter 1. --- 硏究背景 --- p.1 / Chapter 2. --- 硏究方法 --- p.2 / Chapter 3. --- 論文結構 --- p.2 / Chapter 第二章 --- 理論依據 / Chapter 1 . --- 政治經濟學 --- p.4 / Chapter 2. --- 媒體的政治經濟學 --- p.11 / Chapter 3 . --- 理論的啓示 --- p.18 / Chapter 第三章 --- 中國的政經環境和媒體的關係 / Chapter 1 . --- 中國政治經濟互動關係的運作背景 --- p.20 / Chapter 2 . --- 中國政治經濟和媒體作爲政治宣傳工具的轉變 --- p.28 / Chapter 3 . --- 分析架構硏究方法 --- p.31 / Chapter 第四章 --- 中國電影的本質、管理體制和思想指導 / Chapter 1 . --- 中國電影本質的歷史發展 --- p.36 / Chapter 2 . --- 電影的管理體制和指導思想 --- p.43 / Chapter 第五章 --- 中國電影的發展和互動 / Chapter 1. --- 電影事業的槪況 --- p.52 / Chapter 2 . --- 政經互動和電影發展的歷史關係 --- p.59 / Chapter 3. --- 電影事業的矛盾論 --- p.78 / Chapter 4 . --- 小結：政治´ؤ電影發展的重擔 --- p.91 / Chapter 第六章 --- 北京電影制片廠--個案硏究 / Chapter 1. --- 系統內尋求適應的組織 --- p.96 / Chapter 2. --- 硏究假設和方法 --- p.97 / Chapter 3. --- 政經環境變化和北京電影廠的發展 --- p.100 / Chapter 4. --- 小結 --- p.134 / Chapter 第七章 --- 總結和討論 / Chapter 1. --- 電影事業自主權和組織變化 --- p.139 / Chapter 2. --- 電影事業發展和政府控制 --- p.140 / Chapter 3. --- 矛盾中尋求平衡的電影事業 --- p.142 / Chapter 4. --- 硏究啓示 --- p.144 / 附表二 ： 電影類型編碼定義 / 附表二 ： 北京電影制片廠電影生產年表(1979-1994) / 參考書目

published_or_final_version / Comparative Literature / Master / Master of Philosophy

published_or_final_version / Comparative Literature / Master / Master of Philosophy

by Cheng King-hung. / Bibliography: leaves 205-211 / Thesis (M.Ph.)--Chinese University of Hong Kong, 1986

Chan, Siu-han. / Thesis submitted in: July 2004. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 184-193). / Abstracts in English and Chinese. / ABSTRACT --- p.i / 論文摘要 --- p.ii / ACKNOWLEDGEMENTS --- p.iii / CONTENTS --- p.v / INTRODUCTION / Chapter 1.1 --- Empirical Puzzles and Theoretical Concern --- p.1 / Chapter 1.2 --- The Cultural Scene in Hong Kong --- p.5 / Chapter 1.3 --- Defining the New Wave Cinema --- p.8 / Chapter 1.4 --- The Objectives of the Thesis --- p.12 / Chapter Chapter 2 --- In Quest of Theoretical Perspective and Analytical Framework / Chapter 2.1 --- Existing Studies of the New Wave Cinema --- p.13 / Chapter 2.2 --- The Study of Popular Culture in Hong Kong --- p.21 / Chapter 2.3 --- Culture Industry: The Approach of the Frankfurt School --- p.28 / Chapter 2.4 --- The Elective Affinity of Culture Industry with Hong Kong Society --- p.33 / Chapter 2.5 --- Analytical Framework --- p.36 / Chapter Chapter 3 --- The Anxiety of Political Subjectivity / Chapter 3.1 --- Prelude --- p.45 / Chapter 3.2 --- The Perturbed Hong Kong People --- p.50 / Chapter 3.3 --- The Hong Kong Diaspora --- p.57 / Chapter 3.4 --- The Negative Projection on the Colonizers --- p.60 / Chapter 3.5 --- The Ambivalence Towards the Motherland´ؤChina --- p.66 / Chapter 3.6 --- Discourse on Political Modernization: The Anxiety of Political Subjectivity --- p.86 / Chapter Chapter 4 --- The Contradiction of Societal Modernization / Chapter 4.1 --- Prelude --- p.89 / Chapter 4.2 --- Looking back at the Pre-modernized Social Order --- p.91 / Chapter 4.3 --- Rethinking the Entanglement of the Old and the New --- p.102 / Chapter 4.4 --- Representing the Modernized New Social Order --- p.110 / Chapter 4.5 --- Discourse on Societal Modernization: The Contradiction of Societal Modernization --- p.123 / Chapter Chapter 5 --- The Fragility of Hong Kong Cultural Identity / Chapter 5.1 --- Prelude --- p.126 / Chapter 5.2 --- Historical Memories as Cultural Receptacles --- p.128 / Chapter 5.3 --- The Spatialized Cultural Consciousness --- p.136 / Chapter 5.4 --- Urbanism as the Quality of Hong Kong society --- p.144 / Chapter 5.5 --- The Chinese Tradition in Present Day Hong Kong --- p.151 / Chapter 5.6 --- The Hybridized Everyday Popular Culture --- p.157 / Chapter 5.7 --- Discourse on Cultural Modernization: The Fragility of Hong Kong Cultural Identity --- p.164 / CONCLUSION / Chapter 6.1 --- The Planned Tragic Vision in Culture Industry --- p.167 / Chapter 6.2 --- The Aestheticization of Social Reality in Culture Industry --- p.171 / Chapter 6.3 --- The Demise of the New Wave Cinema in Hong Kong Culture Industry --- p.178 / New Wave Cinema: A Listing --- p.182 / REFERERNCES --- p.184

by Chu Lui. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1997. / Includes bibliographical references (leaves 351-354). / ABSTRACT --- p.ii-iv / ACKNOWLEDGEMENT --- p.v / LIST OF FIGURES --- p.vi-vii / LIST OF ILLUSTRATIONS --- p.viii / CHAPTERS / Chapter PART I --- Introduction --- p.1 / Chapter PART II --- Theoretical formulation on exhibitors' structuration of movie-going activity --- p.30 / Chapter 2 --- Approaches from existing film studies --- p.31 / Chapter 3 --- Structuration: social practices and social structure --- p.49 / Chapter 4 --- An analytical application of the structuration theory in Cinema --- p.73 / Chapter 5 --- An analytical application of structuarion theory in exhibitors' restructuration of movie-going activity --- p.91 / Chapter PART III --- The reflector's self-reflection --- p.105 / Chapter 6 --- "My general knowledge of Chinese Cinema's development in ""reform""" --- p.109 / Chapter 7 --- Procedures of data collection and analysis PART IV Redefining what cinema is --- p.127 / Chapter PART IV --- Redefing what cinema is --- p.149 / Chapter 8 --- Confusion over a simple matter --- p.150 / Chapter 9 --- Delineating a new landscape of the cinema --- p.165 / Chapter 10 --- "In name, in language, in ""affairs""" --- p.195 / Chapter PART V --- Redefining what movie-viewing is --- p.224 / Chapter 11 --- A comparison on two kinds of movie-viewing --- p.225 / Chapter 12 --- Reconstructing movie-viewing space --- p.249 / Chapter 13 --- Reconstructing movie-viewing time --- p.281 / Chapter PART VI --- Conclusions: on exhibitors' shadow land --- p.303 / REFERENCES --- p.351

Tam Wai Wan Vivian. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 231-233). / Abstracts in English and Chinese. / Chapter 1 --- Orientation to Domestication --- p.1 / Chapter ´Ø --- Literature Review and Methodology --- p.6 / Chapter ´Ø --- "Popular Culture, Cultural Identity and Discourse" --- p.7 / Chapter ´Ø --- Textual Analysis and Interview --- p.13 / Chapter ´Ø --- "Ideology, Discourses and Domestication" --- p.19 / Chapter 2 --- Introduction to the Four Discourses --- p.40 / Chapter 3 --- Chow Yun-fat's Subversive Past --- p.46 / Chapter 4 --- Domesticating Chow on TV Ads --- p.62 / Chapter 5 --- Taming Chow Yun-fat on Paper --- p.83 / Chapter 6 --- Overview to Reception Analysis --- p.105 / Chapter 7 --- Newfound Pride in Chow Yun-fat --- p.114 / Chapter ´Ø --- Upper-middle Class' Actualizing Actor --- p.114 / Chapter ´Ø --- Small Business Owners' Actor of Class --- p.127 / Chapter 8 --- Colonization or Rejuvenation of the Grassroot Chow Yun-fat --- p.141 / Chapter ´Ø --- Colonizing the Secure Working Class --- p.151 / Chapter ´Ø --- Revitalized Admiration by the Cultured Middle Class --- p.158 / Chapter 9 --- Disenchantment and Alienation of the Insecure Working Class 一 A Chow Yun-fat beyond Survival --- p.168 / Chapter 10 --- Conclusion --- p.192 / Appendix 1: Sample of Interview Questions --- p.197 / Appendix 2: Selected Frames and Shot-by-shot Analysis of Chow Yun-fat Advertisements --- p.198 / Appendix 3: Chow Yun-fat's Filmography --- p.229 / Bibliography --- p.231