Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-08-29T19:32:36Z No. of bitstreams: 1 MayaraCristinaMendesMaia_DISSERT.pdf: 3094006 bytes, checksum: 6eb9d0d3601a7e6c6d840f4eb7fcdeb9 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-09-02T23:34:57Z (GMT) No. of bitstreams: 1 MayaraCristinaMendesMaia_DISSERT.pdf: 3094006 bytes, checksum: 6eb9d0d3601a7e6c6d840f4eb7fcdeb9 (MD5) / Made available in DSpace on 2016-09-02T23:34:57Z (GMT). No. of bitstreams: 1 MayaraCristinaMendesMaia_DISSERT.pdf: 3094006 bytes, checksum: 6eb9d0d3601a7e6c6d840f4eb7fcdeb9 (MD5) Previous issue date: 2016-04-27 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / Acreditamos que as recorrentes mudan?as do cinema cl?ssico, abrindo espa?o no cinema para o pensamento feminista, tem chegado ao Brasil de diferentes formas e com diversas tem?ticas fortemente dentro do cinema independente. Neste sentido, nossa pesquisa surge da necessidade de compreender as transforma??es sociais e na produ??o audiovisual sobre a mulher atleta e suas poss?veis rela??es com a Teoria Feminista do Cinema. Deste modo, nosso objetivo de trabalho foi analisar a obra cinematogr?fica brasileira ?Mulheres Ol?mpicas?, estabelecendo suas poss?veis rela??es com a teoria feminista do cinema. Realizamos uma an?lise contextual da obra atrav?s dos estudos de Gumbrecht. Nossas fichas t?cnicas de an?lise foram organizadas em dois momentos. O primeiro momento ? composto pelos objetos e pelas condi??es da experi?ncia est?tica do filme debatidos a partir dos elementos do texto f?lmico. O segundo momento, regido pelos conte?dos e efeitos da experi?ncia est?tica, est? dividido nas categorias que surgem partir da an?lise de conte?do de Bardin, a saber: desigualdade de sexo; desvaloriza??o da atleta; lutas pol?ticas e conquistas de espa?o; diferentes mulheres brasileiras; objetos e marcas simb?licos e; desconhecimento da hist?ria do esporte ol?mpico brasileiro. Ao estudarmos as categorias, conclu?mos que o document?rio n?o s? apresenta rela??es com a Teoria Feminista do Cinema, como retrata imagens de mulheres brasileiras atletas que h? muito tempo foram ofuscadas em sua visibilidade midi?tica e que, tribut?ria a emerg?ncia dessa teoria, ganham olhares mais generosos ? problematiza??o dos espa?os sociais ocupados pela mulher que predominam na obra. / Our research arises from the need to understand the social, and audiovisual production on the female athletes and their possible relationship with the Feminist Theory of Cinema. After conducting a survey of Brazilian works that address the theme of Brazilian female athlete by access Brazilian film libraries and the Internet, defined as a general goal of our work is to analyze the Brazilian cinematographic work "Mulheres Ol?mpicas", establishing their possible relationships with feminist theory cinema. We build a contextual analysis of the work through Gumbrecht studies. Our analysis of data sheets were organized in two stages. The first time was composed of objects and the conditions of the aesthetic experience of the film discussed from the filmic text elements. The second time, governed by the content and effects of the aesthetic experience, was divided into the categories that emerge from the Bardin content analysis, namely: sex inequality; devaluation of the athlete; political struggles and space conquests; different Brazilian women; objects and symbolic brands and; ignorance of the history of Brazilian Olympic sport. In studying the categories, we conclude that the documentary not only has relations with the Theory Feminist Cinema, as portrayed by images of women Brazilian athletes who have long been overshadowed by its media visibility and that tax the emergence of this theory, make more generous looks to problematize the social spaces occupied by women predominate in the work.